April’s been a fun ride although I didn’t get to see lots of films in cinemas, although there were giant blockbusters coming in. TV series got pretty interesting here as HBO finally wrapped Big Little Lies and Netflix released controversial 13 Reasons Why. I almost wrapped my Alien saga marathon and I’m ready to post it by May.
In the meantime, I present you a recap to help readers digest what have been going on Sinekdoks along April 2017! Continue reading “April 2017 – A Recap”
Review: Recapturing the magic of the original/first film is often an arduous quest, even by Marvel standards. Let’s forget not about how Joss Whedon’s misery, in crafting Age of Ultron to follow up the groundbreaking Avengers assemble, could not live up to the expectation. Given that record, it’s not a big surprise that Guardians of the Galaxy Vol. 2 falls flat in its attempt to live up the virtuoso of Marvel’s biggest gamble; what’s surprising: it still makes an awesome fun-tertaining space bravura centering on galaxy’s most favorite dysfunctional ‘family.’
Element of surprise is what’s missed in Guardians of the Galaxy Vol. 2. The Guardians – along with their closest relatives – aren’t unfamiliar faces anymore; same goes to Awesome Mix, the intergalactic vistas, and the typical jokes and banters they’re throwing. During their tenure in Guardians of the Galaxy, they’ve shared spotlight to finally form this band of misfits into a sort of universe protectors. Now, some must relegate into supporting roles and some must go upfront in not so typical disbanding-after-assembling sequel trope. Continue reading “Guardians of the Galaxy Vol. 2 (2017) – Review”
“I’ve killed women and children. I’ve killed just about everything that walks or crawled at one time or another,” said William Munny explaining who he was.
Clint Eastwood dedicated his final Western film as a director and an actor, Unforgiven, to the sub-genre that has made great name out of him. More, he specifically dedicated it to people whom he’ll be forever in debt with, Sergio Leone and Don Siegel. And, who knows that a devoted tribute would end up being a milestone to the modern-day Western film. And, who knows that this tribute would be Eastwood’s legacy. Continue reading “Blindspot: Unforgiven (1992)”
Review: Ryan Murphy, an anthology specialist (yes, we’re talking about American Horror Story and American Crime Story), further expands his repertoire to another real life shenanigan, peeling legendary feud – a clash of titan – in his new series, Feud. Digging up classic feud between two classic Hollywood stars, Bette Davis and Joan Crawford during the production of psycho-biddy What Ever Happened to Baby Jane?, Murphy has reserved two award seats for his stars, Susan Sarandon and Jessica Lange.
Sarandon and Lange respectively portray Davis and Crawford remarkably, in the sense that the feud pervades to the present-time stars. The heat of the conflicts has ingrained so profoundly that we might see Sarandon as a manifestation of Bette Davis and Lange as Joan Crawford. Continue reading “A Season with: Feud: Bette and Joan (2017)”
Review: A teenage girl, Hannah Baker (Katherine Langford) committed suicide. Instead of leaving suicide notes, she left seven double-sided cassette tapes – in which she stated a reason and tagged a person ‘responsible’ for her demise in each side of the tape but one; hence, 13 Reasons Why. Ever since the first episode, the show is narrated by a dead girl pointing out who share the responsibility of killing her, as listened by a clumsy school boy, Clay Jensen (Dylan Minnette), who is eager to find out his school’s dirty little secrets.
This series is adapted from Jay Asher’s best-selling young-adult fiction which defies the convention of YA tropes. As much as it is accessible and binge-worthy, this somber, grim teen-angst ridden series is surprisingly taut and thought-provoking, despite revolving around coming-of-age tropes. So, here’s 13 points compiled to review 13 Reasons Why. Continue reading “A Season with: 13 Reasons Why (2017)”
Review: In my bare thought, Stip & Pensil – eraser and pencil – might be A Copy of My Mind v2.0 written but not directed by Joko Anwar. Helmed by Ardy Octaviand, this film is projecting the writer’s exasperation towards suburban sh*ts in metropolitan – from blooming population, social gap, education awareness et al – in a lighter mode, making it more urban than Mr. Anwar’s political-heavy feature. It’s no surprise if this story feels timely and relevant to today’s situation through and through.
In presenting its serious theme, Stip & Pensil points out that the core of those suburban problems is: illiteracy – literally and figuratively. Illiteracy leads to low education and poverty, which force children to work instead of studying. People are unaware of these unfortunate chains, resulting in tremendous social gap. At the opposite edge, educated wealthy people are judged to have been prone to exclusiveness, promoting larger gaps. Mr. Anwar’s script proposes a thought, a different perception as a tool to mend the gap. Continue reading “Stip & Pensil (2017): Slumdogs & Millionaires”