While rigged with clichés and comical elements, Miss & Mrs. Cops still delivers a fun female buddy-cop action movie with relevant message to current issue in South Korea.
Only the colossal amount of Kaiju Soshingeki visual spectacles and iconic one-perfect-shot moments that could somehow save Godzilla: King of the Monsters from its failing narrative.
The line between good and evil is deliberately blurred in this hardcore B-movie that goes too serious that Sylvester Stallone is keen to remake it.
Ritchie’s Aladdin might not grant all the wishes for a charming and bedazzling live-action of the Disney classic, but it’s not bad either. It simply isn’t special.
Zahler’s decision to pair up Gibson and Vaughn in his trademark, sentimental hard-boiled B-movie is a toughly perfect one.
The Pool is frustrating (at least for the audiences) and claustrophobic thriller which tries its luck, ironically, on bad luck and ignorance, which probes no sympathy.
Relentlessly leaping from various orgasmic, nerve-racking action set pieces to ever-expanding world building that probes for self-deducing, Parabellum is a wickedly lethal chapter.
While overstaying the welcome a bit too long, Brightburn still delivers its visionary premise of a superhero origin story turning into a visceral horror.
Detective Pikachu’s bold attempt to craft an independent story out of an overly established franchise only results in a parade of cute pokémons with small flickering jolts and less exultation.
Theron and Rogen’s blithesome chemistry excels in this carefree political rom-com that feels somehow sincere and biting at the same time.