Soon after I watched About Time, I suddenly realize that it’s been quite long since I watched a romantic flick which is sweet but lite. Yes, a drama which is so lite that I don’t remember having watched Woody Allen’s. Well, let’s not try to compare it to WA’s, ’cause this one is precisely “accessible” and lovable in different way. Time travel here!
I never thought shaun-the-sheep-ish claymation (like… animation movie employing clay and stop-motion) can bear kinds of in-depth theme, which is… deep. Well, things change when I finally watched Mary and Max, which amazingly bears a profoundly heartbreaking theme about friendship. Continue reading letters from Mary and Max here!
Setelah sukses menyutradarai The Fighter yang fenomenal dan Silver Linings Playbook yang mengejutkan Oscar, David O. Russell tak bisa menahan diri. Ia segera menyutradarai American Hustle, sebuah drama crime dengan balutan komedi yang sama menghiburnya dengan Silver Linings Playbook, namun dengan gaya yang berbeda. Dengan deretan pemeran kelas atas, American Hustle segera melaju ke Oscar dengan mantap. More hustle inside. Click here!
Rolling up after directing the acclaimed The Fighter and Oscar-driven sensation, Silver Linings Playbook (which also directs J-Law to her first Oscar), I said: there’s no rest for David O. Russell. He buckles up to direct American Hustle, an expeditious crime flick which eventually becomes as funny and hilarious as his previous work in different way. Although, it employs “all-star” ensembles of casts and turns up becoming the most ambitious Oscar contender, I find that American Hustle is less than something (out of everything). More hustle inside. Click here!
When watching The Secret Life of Walter Mitty, I just thought that this movie is really a realisation of Ben Stiller’s off-screen and on-screen imaginations. As a director directing himself, his directing style reflects his visions about his own ambitious, daydreaming persona.
More imagination and adventure inside. C’mon, click here!
Saat menonton The Secret Life of Walter Mitty, saya seketika merasa bahwa film ini adalah perwujudan nyata imajinasi Ben Stiller baik di dalam layar maupun di balik layar. Sebagai sutradara yang mengarahkan dirinya sendiri, gaya penyutradaraannya adalah visinya tentang tokohnya sendiri: ambisius dan imajinatif. More imagination and adventure inside. C’mon, click here!