Buffalo Boys rides a furious, highly-decorated buffalo in an ambitious blockbuster, but the road is too bumpy for even the most furious buffalo.
Movie review Buffalo Boys (2018): Mike Wiluan’s directorial debut, Buffalo Boys, breathes the same air as Kim Jee-won’s The Good, The Bad, The Weird in the sense that both brings out Wild West virtues in Far-East settings. If the latter transposes cowboy bonanza into ol’ time Manchurian landscape, the former introduces Western tropes to fictionalized Dutch-occupied Indonesia setting. It’s a full-fledged, faux-historical Western fantasy where English-speaking Dutch colonialism recreates diabolical Southern-slavery as if it’s American Civil War period.
The plot revolves around a straightforward homecoming-slash-revenge mission carried by the titular boys—Jamar (Ario Bayu) and Suwo (Yoshi Sudarso). When their parent and their homeland perished during Dutch’s assaults, the boys were brought into exile to the real Wild West by their uncle, Arana (Tio Pakusadewo). Once the boys are physically and mentally ready, Arana brings them back to the land of the dead, to settle the score once and for all. At least, that’s the plan.
With stunning production value—including unique mix-and-match of architecture, costumes and comic characters making peculiar blend of Indonesian Western. For what it looks, Buffalo Boys is undoubtedly an ambitious Indonesian blockbuster (among the first in its ranks). The premise, the character designs (that also counts a troupe of over-the-top outlaws) and the local twist of American cowboy—hence the title—suggest that the film is directly translated from video games or comic books. Please note that, while being similarly branded as ‘Western’, Buffalo Boys is in different hemisphere as Marlina the Murderer in Four Acts). When the latter is a more grounded arthouse rendition of Western spirit, the former literally imports the Western blockbuster style and mixes it with local wisdom. As reflected in the protagonists’ background, it isn’t a simply-inspired-by-Western-movie product, it is the Western product through and through. Continue reading “Review Buffalo Boys (2018)”
Review Ant-Man and the Wasp. To clean the palette after the devastating Infinity Wars, Marvel presents an all-round fun and funny family comedy.
Movie review Ant-Man and the Wasp: Back in 2015, a small-scale, lesser-known superhero named ‘Ant-Man’ carrying heavy-scale burden to follow up the Marvel’s ambitious (yet convoluted) assemble, Avengers: Age of Ultron was almost unimaginable. Stormed with production issue—when the appointed director, Edgar Wright, left due to creative difference and get replaced by Yes Man director, Peyton Reed—Ant-Man was, again, almost an expected trainwreck. Only, it did not end up becoming one; it instead becomes one of Marvel’s most prominent standalone movies which blends superhero action, unapologetic comedy and warm family drama.
In 2018, Ant-Man makes a come-back in a similar role to the previous film—to clean the palette after the devastating Avengers: Infinity War. In doing so, Ant-Man and the Wasp, still helmed by Reed, stays a small movie that completes the grand image of a bigger one. Effective proportion is what it takes to do the role. It stays minuscule and distant from the recent event, but it paves a way to be an important addition (or even key-point) in the next grand event, which as we may expect is the untitled fourth Avengers movie. Continue reading “Review Ant-Man and the Wasp (2018)”
After few months of MIA, here comes a welcome-back post with 11 Top Movies of 2018 so far (until the end of June).
First six months of 2018 has wrapped and, even though this half has been a tough time to my blogging productivity, I have compiled top 11 most favorites movies I’ve seen during the first half of 2018. To compensate for the MIA, I also provided (minimum) two-paragraph reviews for each of the top movies. Please be advised that all the movies in this post are listed alphabetically. Enjoy reading. Continue reading “TOP OF 2018 SO FAR”