With fuzzy narrative and alienating plot-points, Captain Marvel can still deliver a blast along with profound empowering message.
Ever since Thanos wreaking havoc in Infinity War, the wave of expectation about the real ‘avenger’ to avenge The Avengers hasn’t even plummeted down. Audiences seem to take the thing seriously and, since that emotionally relieving post-credit scene of Marvel’s most emotionally draining movie yet, expectations are soaring high. Only if Captain Marvel—the studio’s first solo female movie—could level up to the altitude, will those expectations be quenched.
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Even when Isn’t It Romantic? fell into the subject it tries to criticize, it’s still uplifting. Thanks to Rebel Wilson.
At the beginning of Isn’t It Romantic, young Natalie was smitten into Pretty Woman when her mother scolded her and indoctrinated her to despise romcoms of any kind. To her, life isn’t like romcom; to her, all the happy endings in romcoms are merely a start of an unhappy life. She grows up being a love cynic (portrayed by Rebel Wilson, all-in with the Australian accent) making a living in New York as an architect who constantly bashes romcom premises until some sh*t happens. She hit her head during a confrontation with a mugger and she wakes up in a romcom… a PG-13 romcom.
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Fall in Love at First Kiss could’ve delivered a more heartwarming romance which pays beautiful tribute to the source material, whichever it refers to.
Fall in Love at First Kiss (一吻定情) adds
another entry to the list of Kaoru Tada’s manga, Itazura Na Kiss screen adaptations
(which has spawned various television series in Japan, South Korea, Thailand
and Taiwan). Chen’s version takes a closer approach to the first Taiwanese
incarnation, It Started with a Kiss (惡作劇之吻), especially by using the established character
names and settings. While the plot might sound eerie and unhealthy in deeper observation,
the movie’s sugarcoating—with bubble-gum visuals and comical characters—can, at
times, divert the attention to a distant lesson.
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Bypassing all the character introductory phases, the romance rift in Dilan 1991 is sadly underwhelming even when the chemistry between Iqbaal and Vanesha starts to make sense.
In a decade
or two, Dilan, as a character, might still be remembered as an illustrious Indonesian
teenage boy icon—rising into some cult status along with Lupus and Si Boy. By
that time, it might not be surprising if new incarnations of Dilan will rise
into prominence; while, Iqbaal Ramadhan’s exhilarating performance (which beats
all the odds) will become a solid benchmark. In like manner, Dilan-Milea
romance might also transcend the time, like Galih & Ratna or others (I was
about to write: Rangga & Cinta from Ada
Apa dengan Cinta?, but then I imagined the backlash). However, that’s not
the case for the movies—both Dilan 1990
and Dilan 1991.
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Crawling slowly when finding the focus in the beginning, Extreme Job cooks up exhilarating Korean buddy-cop tropes with an absurd plot of fried chicken detective.
Upon the return of a Korean drug kingpin, a team of narcs led by Captain Ko (Ryu Seung-ryong) needs to devise a new M.O. in order to catch the big fish. After a series of failed, silly attempts, the team finally finds their secret plan—a full stakeout mission by going undercover in an obsolete fried chicken joint. In an unexpected twist of fate, the revamped fried chicken joint ends up being a national phenomenon. With a risk of compromising the whole mission, Ko and his happy-go-lucky team goes into a comedic adventure full of deadpan moments.
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With the breathtaking high-concept political action-thriller, dystopian sets and enticing ensemble of casts, Foxtrot Six could’ve been a total mayhem, but it ends up being a convoluted oversimplification.
Upon initiating a heroic act to support a corrupted nation, a military lieutenant turned congressman (Oka Antara, The Raid 2) is double-crossed and left for dead by the nation he holds dear. When he learns that a government-enabled genocide plan is on the run, the congressman assembles a special-op to stop the mayhem and to settle the score. That’s simply the general outline of Foxtrot Six—a rambunctious political action-thriller that, along with 3: Alif Lam Mim (2015) and Buffalo Boys (2018), defines a new sub-genre of Indonesian action blockbuster.
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