Review: Guy Ritchie injects gallons of his mayhem-infused blockbuster niches to the chivalrous tale of King Arthur and makes this ‘origin story’ an electric celebration of mess. There are giant elephants bigger than Peter Jackson’s Oliphants, giant human-eating snake, and, even, a humanoid octopussy which looks like a fresh cameo from Disney’s Little Mermaid. Apparently, King Arthur: Legend of the Sword is loud, dynamic, gegenpressing-laden, and chaotic – in good way, and bad way.
Arthur (Charlie Hunnam) is depicted as a fallen prince rising as a misfit from the street. His royal parent was usurped by his uncle, Vortigern (Jude Law), after his valiant father (Eric Bana) brought down army of evil mage in the film’s bombastic opening. Orphaned Arthur is then raised by women of a brothel and quickly rises into a legend when he eventually lifts his father’s legendary sword, Excalibur, before David Beckham. Yes, Becks. Continue reading King Arthur: Legend of the Sword (2017) – Review
Review: Ben Wheatley’s Free Fire knows no cease fire in narrating a full-frontal arms deal gone awry chaos. With ten characters introduced upfront, initially dispersed into two opposing factions, before grouping into smaller groups later on, you know that there’s no guarantee that this bullet bonanza will end well… or start well.
Taking time to lead us to the main event – the claustrophobic bullet ballet, but the time Free Fire takes is apparently made into a delightful appetizer. We’re quickly introduced to two Irishmen, Chris (Cillian Murphy) and Frank (Michael Smiley) who, with their henchmen (Enzo Cilenti and Sam Riley), are in full trust to a fixer, Justin (Brie Larson), who works with Ord (Armie Hammer), to buy guns from Vernon (Sharlto Copley) and his men (incl. Jack Reynor and Noah Taylor within). We know from the beginning that something is off in this deal; therefore, when things escalate quickly as past grudge re-embarks, ‘surprise’ is no longer an appropriate vocabulary. Continue reading Free Fire (2017) – Review
Review: Technically, Satria Heroes: Revenge of Darkness has all the potentials to introduce audiences who aren’t familiar with Indonesian tokusatsu, Bima Satria Garuda and the sequel, Bima-X, to the saga; but, it tends to have fun with itself. In fact, it opts to be a (literally) simple, blatant, campy Kamen Rider-inspired bonanza, which might get you cringed and entertained at once.
Satria Heroes narrative is pretty simple – following up three-act structure with an additional backstory stuffed right before the mid act. It splits the focus to two key figures – Ray and an iron-masked antagonist – and presents it in three interrelated episodes. Ray and Iron Mask respectively get the focus in the first two episodes before finally they clash in the third episode ‘Revenge of Darkness.’ Continue reading Satria Heroes: Revenge of Darkness (2017): ‘Kay, Man. Right thurr.
Review: Recapturing the magic of the original/first film is often an arduous quest, even by Marvel standards. Let’s forget not about how Joss Whedon’s misery, in crafting Age of Ultron to follow up the groundbreaking Avengers assemble, could not live up to the expectation. Given that record, it’s not a big surprise that Guardians of the Galaxy Vol. 2 falls flat in its attempt to live up the virtuoso of Marvel’s biggest gamble; what’s surprising: it still makes an awesome fun-tertaining space bravura centering on galaxy’s most favorite dysfunctional ‘family.’
Element of surprise is what’s missed in Guardians of the Galaxy Vol. 2. The Guardians – along with their closest relatives – aren’t unfamiliar faces anymore; same goes to Awesome Mix, the intergalactic vistas, and the typical jokes and banters they’re throwing. During their tenure in Guardians of the Galaxy, they’ve shared spotlight to finally form this band of misfits into a sort of universe protectors. Now, some must relegate into supporting roles and some must go upfront in not so typical disbanding-after-assembling sequel trope. Continue reading Guardians of the Galaxy Vol. 2 (2017) – Review
Review: Entering its 8th installment, Fast and Furious franchise doesn’t seem to run out of gas at all. I was thinking that the franchise will slow down a little in post-Paul Walker era; but, apparently, the word ‘slow’ doesn’t exist in this saga’s vocabulary. In Fast and Furious 8, dubbed as The Fate of the Furious (stylized as The F8 of the Furious), Dominic Toretto et al instantly deliver us the most excessively over-the-top CAR-nage in this franchise since the beginning.
Remember that final 15 minutes of Furious 7? That’s a beautiful finale that glued this franchise to family-fueled action bravura. It’s no longer some films about street race or carjack; it’s becomes a massive, worldwide slugfest. Since then, this franchise’s principle has become: more is never enough. Continue reading The Fate of the Furious (2017) – Review
Review: In a world where superhero TV series comes in either one of these three styles: Netflix-Marvel street-vigilante style, Marvel movie tie-in style, or DC’s over-the-top Arrowverse style, FX’s Legion is an oddball. It doesn’t follow those patterns of style; even, it feels like a non-superhero superhero story. Sure thing is, the whole first season of Legion is a kind of thing you’ve never seen before in television (or even cinemas).
Do yourself a little favor by googling about Legion’s origin and you’ll understand why Fargo series’ creator, Noah Hawley is eager to adopt this X-Men bravura under his wings. First introduced in New Mutants comic book, Legion a.k.a. David Haller (portrayed by Dan Stevens) immediately cements his position as one of the most interesting mutant – not only because his connection to someone important in X-Men ranks, but also because his ability which makes him dubbed as ‘the strongest mutant alive.’ With such a fascinating biography, this psycho-frenzy mutant definitely needs a proper introduction; yet, that is the least you can expect from a superhero’s origin story. Continue reading A Season with: Legion (2017) – Season 1