With crowded word-play, iconic comedic moments and stop-motion details as in the predecessor, The LEGO Movie 2: The Second Part is a solid proof that Phil Lord and Christopher Miller are the new kings of FUN.
not awesome…,” half-way through the second act of The LEGO Movie 2: The Second Part, some characters join forces in a
choir to sing this bleak rendition of Oscar-nominated ‘Everything Is Awesome.’ At
some points, the chant admits what might have gone wrong with the direct sequel
of Christopher Miller & Phil Lord’s 2014 masterwork. However, the lyrics that
follows—“…doesn’t mean we shouldn’t try… to make everything awesome…”—confidently
shows how this sequel acknowledges its weakness and making a leap out of it,
then moves on with its awesomeness that hasn’t rusted off.
Continue reading “Review The LEGO Movie 2: The Second Part (2019)”
Albeit stuttered, Christopher Robin serves its purpose to deliver message about quality time with family.
Review Christopher Robin: Disney’s new rendition of Christopher Robin reminds me of the twist that Mark Osborne has done to Antoine de Saint-Exupery’s The Little Prince in 2015. At some points, the story development also has similarities to Mr. Holmes. However, if there’s an invention to make to retell the century-long centuries of the titular character along with his animal friends, Winnie-the-Pooh and friends, Marc Foster’s Christopher Robin serves its purpose.
When it begins, the movie brought us back to Hundred Acre Woods where Christopher bid a farewell to his childhood friends before enrolling in a board-school. Then, as grown-ups say, live begins—loss, war, marriage, childbirth, career—and time flies;. The innocent, adventurous Christopher is no more; what’s left is a working-laden, grown-up Christopher (Ewan McGregor), who doesn’t even have time for a family getaway in a weekend homecoming trip. In the moment of crisis, his childhood memories cross path with his mundane, grown-up life in another Christopher Robin-esque adventure. Continue reading “Review Christopher Robin (2018)”
‘Til death do us part’ is not a thing in Pixar’s Mexican odyssey about life, death and family that bounds them altogether.
Review: Seven years in making with thorough research in Mexico along with solid team led by Lee Unkrich to celebrate appropriate representation (including writer, Adrian Molina, who got eventually promoted into co-director), Pixar’s nineteenth feature, Coco, results in a highly respectful tribute to Mexican culture and tradition, specifically, ‘Dia de los Muertos’ a.k.a. The Day of the Dead.
In preparation of the carnivalesque, marigold-laden Mexican festivity of the dead, 12-year-old Miguel Rivera (voiced by Anthony Gonzales) is entangled in a fateful adventure between life, death and family that bounds them altogether. The boy only wants to follow his passion—to simply play guitar and sing like his hero, a famous Mexican singer and actor, Ernesto de la Cruz (Benjamin Bratt)—much to his shoemaker family’s dismay due to a past predicament. When a talent show is held at the town’s plaza, Miguel ignores his family’s cries of refusal and joins up anyway. For that, he steals the monumental guitar from de la Cruz chapel, which makes him cursed and strands up in the Land of the Dead. Continue reading “Coco (2017) – Review”
Paddington’s fully-integrated story to human family is a bear-y merry sequel.
Review: Paddington—the marmalade-loving Peruvian bear who has now become a permanent resident in Windsor Gardens, London along with The Browns—returns for another adventure in this bear-y merry sequel.
While having been entirely integrated into human’s life and become a local hero, Paddington (voiced by Ben Whishaw) is still the bear he used to be—the little bear saved and adopted by the late Uncle Pastuzo (voiced by Michael Gambon) and Aunt Lucy (Imelda Staunton). For Aunt Lucy’s 100th birthday, Paddington is keen to give her a unique pop-up book about London, the city of her dream. The lil’ bear will do anything to finally buy the book from Mr. Gruber’s (Jim Broadbent) antique shop; even when what he’s done gets him entangled into a malicious conspiracy orchestrated by a villainous former actor, Phoenix Buchanan (Hugh Grant). Continue reading “Paddington 2 (2017) – Review”
Review: The LEGO Ninjago Movie unfolds how the exhilarating idea of presenting a pop-culture-laden animation based on brick toys could falter quickly. It’s only been three years since Chris Miller and Phil Lord first spawned The LEGO Movie in 2014; but, this third film in LEGO franchise shows that the formula starts getting worn off.
It still offers electric bantz, refreshing gags and zillion references to pop culture—making it an enjoyable joyride. However, Ninjago’s lack of innovative formula starts showing the symptoms when it is often caught playing and recycling ideas used in LEGO Movie and LEGO Batman Movie to use in a different terrain. You’re not wrong when you think you have a déjà vu while watching this.
Continue reading “The LEGO Ninjago Movie (2017) – Review”
Review: In its 130-min duration, Koe no Katachi a.k.a. A Silent Voice tackles a complex coming-of-age drama of consequences, self-alienation and reconciliation. Sometimes it staggers, sometimes it falls into melodrama; but, in the end, it passes a meandering way with subtlety and grounded intricacy.
Naoko Yamada’s first feature is adapted from a manga series by Yoshitoki Oima. The story orbits on a bittersweet connection between Shoya Ishida (voiced by Miyu Irino) and Shoko Nishimiya (Saori Hayami). As a kid, Shoya, not knowing the consequences of his deeds, bullies and abuses hearing-impaired Shoko. When consequences finally catch him up, all he has done to Shoko return to haunt him – excommunication, persecution, and all. Since then, he decides to prefer solitary, avoid contacts with people, and alienate himself from society. Continue reading “A Silent Voice / 聲の形 / Koe no Katachi (2017) – Review”