Wiro Sableng smartly plays out on one of the source material’s finest advantage—exotic world building and exquisite characters—to craft a real blockbuster treat, despite all the flaws.
Review Wiro Sableng 212 Warrior: Wiro Sableng (trans. Crazy Wiro), a character created by Bastian Tito, is one of the most renowned & legendary martial art warriors in Indonesian comic scene—along with Panji Tengkorak (Skull Panji) and Si Buta dari Goa Hantu (Blind Warrior from Ghost Cave). From comic book, Wiro Sableng had been adapted into a several movies and, most notably, long-running television series that had gained cult-following and launched a one-hit wonder status to the star, Ken Ken. In 2018, a latest incarnation of the famous character is brought into existence by Angga D. Sasongko (Filosofi Kopi series, Bukaan 8), backed by Lifelike Pictures and Hollywood mogul, Twentieth Century Fox.
Wiro Sableng: Pendekar Kapak Maut Naga Geni 212 feels special in the development. Penned by Tumpal Tampubolon and Sheila Timothy with senior Indonesian author (and martial-art writer), Seno Gumira Ajidarma, the plot is straight-forward poetic justice action mixed with political turmoil in the background. Partially inspired by classic wuxia stories, the narrative also elaborates a Shakespearian dash and clash that look like Coriolanus and the lots. More enticingly, the fact that Vino G. Bastian, an interesting Indonesian actor who plays the titular role, is Bastian Tito’s son makes a real point as if all stars are aligned for this adaptation. Continue reading “Review Wiro Sableng: Pendekar Kapak Maut Naga Geni 212 (2018)”
Sebelum Iblis Menjemput is the prodigal cousin of Evil Dead.
Timo Tjahjanto’s (half of The Mo Brothers) May the Devil Take You (originally titled ‘Sebelum Iblis Menjemput‘) is the prodigal cousin of Evil Dead who lives too far abroad that it gets tangled deeper in the hardcore nastiness of occultism. The nightmare it introduces might feel close and yet so far; but then, this bone-chilling and blood-gushing diabolical phantasmagoria is a guaranteed tough watch. It’s definitely not for the fainted heart; but, most definitely, it’s not for the pious heart.
Pedantic resemblances to its influence is inevitable, however, May the Devil Take You is bold enough to differ in all its nightmarish way. While it’s a cabin-in-the-wood story—only the cabin is changed into an abandoned resting villa (well, it’s a holiday cabin for Indonesians after all) with a ridiculously hard locked door to basement and a strange entity’s first-person POV as well, it’s not a groovy ordeal; it’s a pure horror that embraces every notion in Stephen King’s infamous quote, “nightmares exist out of logic.” Continue reading “Review Sebelum Iblis Menjemput / May the Devil Take You (2018)”
Kafir is a well-crafted horror of local occultism culminating in visceral, over-the-top payback.
Review Kafir (2018): After the gruesome death of the father, a family is plagued by mysterious atrocities in amidst of overwhelming grieves and senses of isolation. Simple as it may sound, Kafir (subtitled ‘Bersekutu dengan Setan’, trans. ‘selling one’s soul to the devil’) is surprisingly delivering an above-average performance among Indonesian new-wave horrors.
In Kafir, the terror comes when the recently widowed Sri (Putri Ayudya, delivering one of the best horror performances in the recent years) begins to believe that an insidious force is preying on her family. Starting off with her husband (Teddy Syah), the malicious energy she allegedly guesses as a result of ‘santet’—a form of evil spell in local occultism—gets enraged in endangering her and her two children (Rangga Azof and Nadya Karina). From there, Kafir presents downright (while not consistently) terrors in whatever forms it can have (including in its tackiest form, to be honestly speaking). Continue reading “Review Kafir (2018)”
Presenting a sharp (but not unusual) blend of exaggerated sibling-rivalry dramedy and sweet romcom, Brother of the Year crafts a heartwarming comedy with unexpected (but effectively presented) turn.
Review Brother of the Year: In Vitthaya Thongyuyong’s GDH-produced blockbuster, what started out as a family dramedy about sibling rivalry quickly escalates into a full-fledged sentimental drama in an unexpected (but effectively presented) turn.
GDH darling, Sunny Suwanmethanont, stars as Chut—a less-motivated slacker, whose perfectly filthy bachelorhood life breaks after his multitalented sister, Jane (Urassaya Sperbund) returns home from her university time in Japan. As a blockbuster filled with sharp comedy materials upfront, it’s surprising that Brother of the Year takes a bold (but not strange) move to bit-by-bit leave its non-serious material (which powered most of its first half) and focus on a serious material, which might, at least, get lumps in your throat. Continue reading “Review Brother of the Year (2018)”
The ABCD of Love is muddled with convoluted plot and loose threads.
Review: Salman Aristo’s directorial effort, Satu Hari Nanti, is a complicated story about four Indonesian folks tangled in a love rectangle on a foreign land. Dubbed on-screen as “the ABCD of Love” (a coined term which somehow foreshadows the whole conflict) with wide references ranging from Hamlet to Woody Allen, and from Anthony Bourdain to Franz Kafka, the film is well-intentioned; but, when it comes to presentation, only one thing comes up to mind: muddled.
Set under the elegant sky of Switzerland, Satu Hari Nanti is like a box of interaction between the film’s four main characters only. Alya (Adinia Wirasti), a chocolatier student, is in the midst of desperate romance with Bima (Deva Mahenra), a musician bumping from one café to another. While Chorina (Ayushita), a hotelier, is trying to survive in a bumpy relationship with a tour guide, Din (Ringgo Agus Rahman). Four friends, two couples in a foreign land; two broken relationships try to make amend; there’s where each of them begins to cross the line between friendship and romance. Alya begins to find solace in Din; and Bima begins to find one in Chorina; hence, the fore-mentioned “ABCD of Love.” Notice that each character’s name starts with letters that make the reference to understandable, plot-wise. Continue reading “Satu Hari Nanti (2017) – Review”
In a cruel world, a widow refuses to surrender & decides to fight back against patriarchal tyranny in a four-act-structure story.
Review: In a cruel world without favor for women, Marlina (Marsha Timothy) refuses to surrender and be a victim; she, instead, embraces her inner strength and decides to fight back against patriarchal tyranny.
Exquisite, powerful and poignant, Marlina the Murderer in Four Acts (Marlina si Pembunuh dalam Empat Babak), is a tale of empowerment wrapped as a Far-East ‘Western’ revenge thriller with strong femme fatale to root for. It’s a quintessential work for Indonesian female director, Mouly Surya, whose previous works (fiksi. and What They Don’t Talk about When They Talk about Love) revolves around determined female characters, too. Continue reading “Marlina the Murderer in Four Acts / Marlina si Pembunuh dalam Empat Babak (2017) – Review”