JACKASS DIRECTOR HELMS A MÖTLEY CRÜE BIOPIC. The Dirt is all SEX, ROCK N ROLL, DRUGS, NIHILISM AND “CHILL, DUDE, IT WON’T WIN ANY AWARD.”
soulless Bohemian Rhapsody, we are
granted an even soul-corrupted The Dirt,
a biopic of an iconic band – who claims to “drink, snort and fuck everything in
sight” – Mötley fuckin’ Crüe. Undergoing years of inferno from Paramount and
MTV Films to Focus Feature before ending up in development hell, the biopic –
eventually picked up by Netlix – ends up doing what every other biopic couldn’t
bear to do: debauching the subject but proudly and deliberately. It’s campy,
sleazy, nasty, dumb, offensive, but, nonetheless, fun.
Continue reading “Review The Dirt (2019)”
Andy Serkis’ directorial debut is a flawed but breathtaking love story saved by its powerful leads.
Review: Breathe, directorial debut from Andy Serkis—the man who should’ve gotten lifetime achievement for dedication to performance capture, is surprisingly a grounded, imperfect but breathtaking love story inspired by Robin Cavendish, a responaut who survived from paralyzing polio, and his loving wife, Diana.
Andrew Garfield, as per his recent standard, is astonishing as Robin, an energetic British tea-broker who ventures in Africa. His social fluidness helps him winning over Diana Blacker’s (Claire Foy, The Crown) heart, despite her reputation as a professional heartbreaker. Love blooms quickly and, before long, Robin marries Diana before his tenure in Kenya began. Yet, life gives as quickly as it takes. During Diana’s pregnancy with Jonathan Cavendish (who apparently becomes the film’s executive producer), Robin falls sick as he inhales polio virus and was paralyzed from the neck down. With three months to live—according to doctor’s initial diagnosis—and weak will to live, only Diana’s love nurtures him back to life Continue reading “Breathe (2017) – Review”
Review: Behind the heavy testosterone-laden drama, Only the Brave highlights true act of heroism in the most respectful way. It might look like a show-off of masculinity, but who knows that it’s never really about muscles. It’s the story of hearts.
Director Joseph Kosinski (Tron: Legacy, Oblivion) assembles a combination of veteran actors and rising ones, ranging from Jeff Bridges, Josh Brolin and Jennifer Connelly to Miles Teller and Taylor Kitsch, in telling a real story of Granite Mountain Hotshots, sub-group of Prescott Fire Department. Only the Brave covers how the group rose into prominence, saved thousands of acres from forest fire, and culminated the devastating event of Yarnell Hill fire. Continue reading “Only the Brave (2017) – Review”
Review: In case you haven’t heard, Tom Cruise’ latest American Made, is a crazy real-life story of Han Solo the Smuggler. Well, it’s actually a story of a real figure, Barry Seal (portrayed by Cruise), a pilot prodigy who left his delightful life as an airline pilot to pursue ‘careers’ to make, live, and make living out of CIA, Nicaraguan right-wing guerillas, Pablo Escobar’s Medellin Cartel, to the White House. It’s so dirty, so obscene, and so ludicrous that it almost busts out the line between reality and fiction.
Barry Seal’s life, despite everything, feels like it’s been written solely for Cruise. Seal is an adrenaline junkie (which matches up with Cruise’ personality as he insists on doing his own stunt) who gets entangled in an obscure world full of corruption, double-crossings and crimes. In living such a life, he’s quite a narcissist and a fancy talker (in one scene he’s talking DEA, State Police, FBI and other law enforcers out promising them a Caddy for a person, while he knows they won’t accept). And, the best part is that he’s doing his operation airborne—flying small planes, reuniting Cruise with his aviation tenure in Top Gun.
Continue reading “American Made (2017) – Review”
“I believe God made me for a purpose, but he also made me fast. And when I run I feel His pleasure,” said Eric Liddell to his pious sister.
Of God and men, of faith and patriotism, for serving God and breaking stereotypes, Hugh Hudson’s Chariots of Fire wraps them all in a biopic about British athletic team’s triumphant victory in the 1924 Olympics. It’s a rare picture which concatenates the urgency of nationalism, ambition, and the evangelism on running tracks, making it one of the strongest Best Picture winners. Continue reading “Blindspot: Chariots of Fire (1981)”
Review: In terms of visualizing a grandeur story about ambition, passion and destiny, James Gray’s The Lost City of Z might make handful of resemblance with Paul Thomas Anderson’s There Will Be Blood and a smaller scale of it. While the latter is a chronicle of a man’s ambition over oil field for greater goods of one’s self, the former is a spiritual adventure of a man’s ambition dividing the South American jungle to unravel humanity’s biggest secret, an older civilization hidden in the green desert.
Adapted from David Grann’s book, the quest to find Z retold the story of a British man, Percy Fawcett (Charlie Hunnam), who was tasked to map Brazil-Bolivian boundary deep in the Amazon rainforest in order to prevent wars between the two countries. Fawcett teamed up with Henry Costin (Robert Pattinson), an avid explorer of the jungle. During the tenure, Fawcett was consumed by the idea of a lost city he proposed as ‘Z’ after confirming a native’s story upon his findings of pottery. The more he believes and studies the lost city, the more he’s obsessed and the more his ambition to prove its existence emerges, engulfing his own existence. Continue reading “The Lost City of Z (2017) – Review”
Review: Ryan Murphy, an anthology specialist (yes, we’re talking about American Horror Story and American Crime Story), further expands his repertoire to another real life shenanigan, peeling legendary feud – a clash of titan – in his new series, Feud. Digging up classic feud between two classic Hollywood stars, Bette Davis and Joan Crawford during the production of psycho-biddy What Ever Happened to Baby Jane?, Murphy has reserved two award seats for his stars, Susan Sarandon and Jessica Lange.
Sarandon and Lange respectively portray Davis and Crawford remarkably, in the sense that the feud pervades to the present-time stars. The heat of the conflicts has ingrained so profoundly that we might see Sarandon as a manifestation of Bette Davis and Lange as Joan Crawford. Continue reading “A Season with: Feud: Bette and Joan (2017)”