Review: In my bare thought, Stip & Pensil – eraser and pencil – might be A Copy of My Mind v2.0 written but not directed by Joko Anwar. Helmed by Ardy Octaviand, this film is projecting the writer’s exasperation towards suburban sh*ts in metropolitan – from blooming population, social gap, education awareness et al – in a lighter mode, making it more urban than Mr. Anwar’s political-heavy feature. It’s no surprise if this story feels timely and relevant to today’s situation through and through.
In presenting its serious theme, Stip & Pensil points out that the core of those suburban problems is: illiteracy – literally and figuratively. Illiteracy leads to low education and poverty, which force children to work instead of studying. People are unaware of these unfortunate chains, resulting in tremendous social gap. At the opposite edge, educated wealthy people are judged to have been prone to exclusiveness, promoting larger gaps. Mr. Anwar’s script proposes a thought, a different perception as a tool to mend the gap. Continue reading Stip & Pensil (2017): Slumdogs & Millionaires
Review: For a film titled The Guys, Raditya Dika’s quick follow-up to his star-studded, box office making Hangout, it ‘almost’ lives up to the title; had some more dominating sub-plot not overtaken the spotlight. Dika, as writing-and-starring director, displays more maturity in his ‘usual romantic comedy’ trope, but who knows that this film isn’t about that at all.
In The Guys, Raditya Dika stars as Alfi, an employee in an agency, who shares a flat with his co-workers, Rene (Marthino Lio), Aryo (Indra Jegel), and a Thai expat, Sukun (Phongsiree Bunluewong). Alfi is a straight Dika’s typical character – a loser in love; that before his chivalrous act enchant Amira (Pevita Pearce). Things go south when Amira’s widowed father (Tarzan) also starts developing feeling towads Alfi’s widowed mother (Widyawati). With aids from his BFF – Best Flatmate Forever – Alfi sets up a plan to mess with the older generation’s relationship to secure his own. Continue reading The Guys (2017): When ‘The Guys’ become the other guy
Review: Based on best-selling memoir ‘The Naked Traveler’ (13 series, so far), Trinity, The Nekad Traveler is basically an almost plot-less re-enactment of how and why Trinity (the author) wrote her traveling journal. It is merely a hundred minute of TraVlog, which surprisingly has enough drama to blur the main point of the book and enough travel quotes to pin in Pinterest.
Trinity, energetically portrayed by Maudy Ayunda, unravels her motivation of writing journals about traveling in her blog (and finally her books). Educated to be an independent girl since she was little, grown-up Trinity ends up being ‘the one with most stories during family gathering’ for her traveling hobby. Nowadays, she’s paid to travel and write, but then, she’s only an employee of a company led by Mrs. Boss (Ayu Dewi, practically steals the whole show) and she needs to get as many leaves as possible to travel. She has many dreams to travel to many places, therefore, she writes a bucket list. So, here’s an ‘inspiring’ story of how to escape life and travel more to tick off your bucket list. Continue reading Trinity, The Nekad Traveler (2017): An unsympathetic, uninspiring and preachy travlog
Review: After hitchhiking and helping to save the day in The LEGO Movie (2014), Will Arnett’s self-obsessed Batman finally gets promoted to his own spotlight as the lead role. In his solo, brick-world spin-off, The LEGO Batman Movie, Batman is the feeling-less, insensitive, heavy metal and beat box loving, lone vigilante of more-vibrant-and-frenetic-than-Tim-Burton’s Gotham. However, he’s not some taciturn, shy Dark Knight; Batman has embraced Bruce Wayne’s narcissism personality disorder and turned into a superstar of the crime-lair city.
Things go south when Jim Gordon retires and his daughter, a Harvard for Police alumnus, Barbara Gordon (Rosario Dawson) steps in. She insists that the city doesn’t need Batman for the Caped Crusader, although succeeds in quelling city’s most notorious villains, cannot really wipe them off completely. At the same moment, Batman’s rejected arch-nemesis – the Joker (Zach Galifianakis, in a more sensitive role than Jared Leto’s swagger version) surrenders himself and his band of criminals. Fearing that it’s Joker’s mere villainous agenda, Batman aided by his cute adopted son Dick Grayson (Michael Cera) determines to stop Joker at whatever cost. Continue reading The LEGO Batman Movie (2017) – Review
“C’mon, Babe, why don’t we paint the town… and all that Jazz!” Velma Kelly sings on the stage.
In the 75th Academy Awards, Rob Marshall’s Chicago triumphed over with six winnings, including Best Picture, overpowering strong contenders like The Pianist, Gangs of New York, and Lord of the Rings: The Two Towers. Chicago becomes the second musical to win Best Picture after 1968’s Oliver!; and together with Moulin Rouge, it is responsible for the reemergence of musical film in modern days. Continue reading Blindspot: Chicago (2002)
Review: Damien Chazelle – the director of critically acclaimed Whiplash – crafts a sharp-witted, jazz-spirited romance in La La Land. It’s a love, no, passion letter to the beauty of music, of cinema, of L.A., and of dream.
La La Land, undoubtedly, is a bunch of happiness, blissful tunes and whoop-de-do wrapped in an ethereal rhapsody. It’s an exhilarating, feel-good musical that will take you to the stars and make you reluctant to touch the ground again, even if you’re not familiar with classic musical. Continue reading La La Land (2016) – Review