Albeit stuttered, Christopher Robin serves its purpose to deliver message about quality time with family.
Review Christopher Robin: Disney’s new rendition of Christopher Robin reminds me of the twist that Mark Osborne has done to Antoine de Saint-Exupery’s The Little Prince in 2015. At some points, the story development also has similarities to Mr. Holmes. However, if there’s an invention to make to retell the century-long centuries of the titular character along with his animal friends, Winnie-the-Pooh and friends, Marc Foster’s Christopher Robin serves its purpose.
When it begins, the movie brought us back to Hundred Acre Woods where Christopher bid a farewell to his childhood friends before enrolling in a board-school. Then, as grown-ups say, live begins—loss, war, marriage, childbirth, career—and time flies;. The innocent, adventurous Christopher is no more; what’s left is a working-laden, grown-up Christopher (Ewan McGregor), who doesn’t even have time for a family getaway in a weekend homecoming trip. In the moment of crisis, his childhood memories cross path with his mundane, grown-up life in another Christopher Robin-esque adventure. Continue reading “Review Christopher Robin (2018)”
John Cho’s absorbing performance helps Searching crafting an emotional rendition of Gone Girl with internet era look.
Review Searching (2018): While the presentation using only electronic device screens is a gimmick we’ve seen in Blumhouse horror, Unfriended (2015), Searching is always a Gone Girl as viewed through screen with sense of limitation the size of Rear Window (instead the window is an artificial window—be it browser window or chat window).
It opens with a montage of Kim family’s history as seen via a Windows XP PC from the moment that Margot (Michelle La) was born to a happy Korean-American couple, David (John Cho) and Pam (Sara Sohn). There goes a happy growing-up together montage that kind of reminding me to Up (2009). Yet, it wasn’t long until the tragedy comes. After a series of unanswered phone and FaceTime calls, Margot never shows up. She’s gone, technically missing (soon to be presumed dead?). Through projected screens of iPhones, PC and MacBooks, David browses through social media, search engine and every resource he can find on the web to find his missing child. Continue reading “Review Searching (2018)”
Presenting a sharp (but not unusual) blend of exaggerated sibling-rivalry dramedy and sweet romcom, Brother of the Year crafts a heartwarming comedy with unexpected (but effectively presented) turn.
Review Brother of the Year: In Vitthaya Thongyuyong’s GDH-produced blockbuster, what started out as a family dramedy about sibling rivalry quickly escalates into a full-fledged sentimental drama in an unexpected (but effectively presented) turn.
GDH darling, Sunny Suwanmethanont, stars as Chut—a less-motivated slacker, whose perfectly filthy bachelorhood life breaks after his multitalented sister, Jane (Urassaya Sperbund) returns home from her university time in Japan. As a blockbuster filled with sharp comedy materials upfront, it’s surprising that Brother of the Year takes a bold (but not strange) move to bit-by-bit leave its non-serious material (which powered most of its first half) and focus on a serious material, which might, at least, get lumps in your throat. Continue reading “Review Brother of the Year (2018)”
With catchy tunes, heartfelt fan-service treatment and juxtaposed narrative, the uplifting prequel not only completes (even, exceeds) the original Mamma Mia, but it also works delicately as a standalone story
Movie Review Mamma Mia! Here We Go Again (2018): Several years have passed since the kitschy Mamma Mia! (2018), where Meryl Streep teams up with all-star casts of all generations (including Pierce Brosnan, Colin Firth, Stellan Skarsgard plus younger generation casts, such as Amanda Seyfried and Dominic Cooper) creating a campy—and tacky—musical drama about family and dream. Mamma Mia! Here We Go Again (2018) brings audiences back to the Greek island, Kalokairi, where the first film commenced, for an (sadly) incomplete reunion.
Ol Parker (The Best Exotic Marigold Hotel and the sequel) pens and treats Mamma Mia! Here We Go Again as if it is the Godfather II with Streep as Brando and Seyfried as Pacino. To complete the Godfather manifestation, they even have Lily James as De Niro of Mamma Mia!. Even further, this second movie also serves as both prequel and sequel with stories that juxtapose into each other and into the original story. Wherefore, it makes a better movie in terms of presentation—‘correcting’ the flimsiness of the original. Continue reading “Movie Review Mamma Mia! Here We Go Again (2018)”
A wonderful story of how every person can be the wonder.
Review: Wonder, based on R.J. Palacio’s 2012 bestseller, observes the bright side of every event revolves around the first ‘normal’ school year of a boy with facial deformities. There’s bullying, but there’s support; there are sentimental moments, but there are uplifting ones. On the surface, this might look like an overdramatic Hollywood tearjerker, but, give it some time and Wonder will define the word ‘heartfelt’ straight to your nerve.
Jacob Tremblay (Room) portrays Auggie, the 10-year-old Star Wars aficionado, who finally enters public school after years of home-schooling due to his physical condition. Julia Roberts—the mother, Isabella, and Owen Wilson—the father, Nate, knowing their kid’s circumstance, show reluctance in finally letting the child stepping away from the comfort zone. What the parents fear of comes to fruition when Auggie’s facing bullying from his school-mate. The situation is troublesome; and, we’re led to observe it from other p.o.v.s around Auggie, from his outshone sibling, Via (Izabela Vidovic) to his first friend, Jack (Noah Jupe). It’s a dire situation to follow, but Wonder shows us that there’s always been silver linings to everything.
Continue reading “Wonder (2017) – Review”
The ABCD of Love is muddled with convoluted plot and loose threads.
Review: Salman Aristo’s directorial effort, Satu Hari Nanti, is a complicated story about four Indonesian folks tangled in a love rectangle on a foreign land. Dubbed on-screen as “the ABCD of Love” (a coined term which somehow foreshadows the whole conflict) with wide references ranging from Hamlet to Woody Allen, and from Anthony Bourdain to Franz Kafka, the film is well-intentioned; but, when it comes to presentation, only one thing comes up to mind: muddled.
Set under the elegant sky of Switzerland, Satu Hari Nanti is like a box of interaction between the film’s four main characters only. Alya (Adinia Wirasti), a chocolatier student, is in the midst of desperate romance with Bima (Deva Mahenra), a musician bumping from one café to another. While Chorina (Ayushita), a hotelier, is trying to survive in a bumpy relationship with a tour guide, Din (Ringgo Agus Rahman). Four friends, two couples in a foreign land; two broken relationships try to make amend; there’s where each of them begins to cross the line between friendship and romance. Alya begins to find solace in Din; and Bima begins to find one in Chorina; hence, the fore-mentioned “ABCD of Love.” Notice that each character’s name starts with letters that make the reference to understandable, plot-wise. Continue reading “Satu Hari Nanti (2017) – Review”