Jon Favreau’s photo-realistic remake of Disney Renaissance’s magnum opus, The Lion King, is best described as being nonurgent. As a matter of fact, it’s unquestionably prone to exoticism and aesthetic in terms of visual or musical, even more than Favreau’s vibrant rendition of The Jungle Book in 2016. Notwithstanding the artistic breakthrough, the redux, which […]
Gina S. Noer surprisingly flaunts playful imagery and enchanting dialogues to complement the story that, by nature, is powerful—even when the narrative is sometimes overwhelming in Dua Garis Biru.
Set in a bizarre Curtis-ian world without The Beatles, Yesterday is surprisingly simplistic, albeit bittersweet.
Angry Bong Joon-ho illustrate his restlessness towards social gap with a thought-provoking, family tragicomedy that does not look like anything you’ve seen before.
Fresh narrative idea and fabulous casts bring warmth to the upraising horror-comedy about a literal ghost writer, that will forever marks Bene Dion Rajagukguk’s directorial effort.
Si Doel the Movie 2 hits the nostalgia button even harder this time even when the narrative keeps slowly lollygagging with the titular character’s infamous indecisiveness.
Zahler’s decision to pair up Gibson and Vaughn in his trademark, sentimental hard-boiled B-movie is a toughly perfect one.
While overstaying the welcome a bit too long, Brightburn still delivers its visionary premise of a superhero origin story turning into a visceral horror.
Raihaanun delivers a stark and raw yet sterling performance to become the soul of this powerful story about sexual trauma.
Also titled as Memories of My Body, Garin’s Kucumbu Tubuh Indahku presents a melancholy tale of mysticism, philosophy and sensualism about human body through a gender variant dancer.