Review: Undeniably, Silence is Martin Scorsese’s most personal and ambitious work to date. Adapting Shusaku Endo’s 1966 novel of the same title about the voyage of two Jesuit priests in the 17th century Japan, in a misty era called ‘Kakure Kirishitan’ or ‘hidden Christian.’ It is a story about faith and questions that surround men of faith in a desperate time. Inarguably, it is poignant, visceral and though-provoking at the same time – just like faith itself.
Silence follows Father Rodrigues (Andrew Garfield) and Father Garupe (Adam Driver), who voluntarily voyage from Portugal to Japan in order to locate the whereabouts of their missing mentor, Father Ferreira (Liam Neeson). Arriving in Japan, the priests immediately get plunged into the miserable life of Japanese Christians, who live and pray in silence and secrecy, for fear of being prosecuted and tortured by Shogunate Inquisitor, Inoue (Issei Ogata). Under such circumstances, the priests barely carry their initial mission out as they’re engulfed in rehabilitating the people’s deteriorating faith and survive the catastrophe themselves. Continue reading Silence (2016) – Review
Review: There were three African-American women working at NASA in circa 1960s and helping the institution sending man into space, winning the space competitions against the Soviets. Not everyone knows about that fact (me neither, in fact), until Hidden Figures comes and opens people’s eyes in the era where this substantial revelation is relevant. However, it’s never been a preachy, egghead’s story; instead, Theodore Melfi’s adaptation of Margot Lee Shetterly’s non-fiction is a high-energized feel-good film about equality and empowerment.
Those three titular figures are Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe). Those women are all brilliant in their own field even beyond; but their only problem is more complex than their minds; because they are women and people of colors. Continue reading Hidden Figures (2017) – Review
Review: In Patriots’ Day 2013, two bombs blasted off during Boston marathon, killed 3 civilians, including an 8-y.o. child and injured hundred others. Only three and a half year passes, a big-budgeted retelling of it has already made into screen, not as a kind of exploitation, but as a moving, respectful story. Patriots Day is an ode to a city survives from tragedy.
With Patriots Day, Peter Berg (Lone Survivor, Deepwater Horizon) has proven himself as an avid filmmaker, a specialist to craft an authentic reenactment with hearts within. There’s sympathy depicted in its dramatic docu-like pictures coupled with authentic footage and spotlights to certain people who directly involved in the tragedy. Continue reading Patriots Day (2017) – Review
Review: Tom McCarthy’s Oscar contender follows a special investigation team under ‘The Boston Globe’ in unraveling a circle of child abuse in the Catholic Church. Based on a very harrowing, bitter fact, Spotlight honestly delivers it in a Best Original Screenplay spirit that re-transcends journalism movie into radar.
Spotlight highlights the early coverage of Boston Globes to one of the biggest scandal involving Catholic Church – in which series of child abuses have been going around unnoticed by law. Members of Spotlight – the special team consisting of Mike Rezendes (Mark Ruffalo), Sacha Pfeiffer (Rachel McAdam), and Matt Carroll (Bryan D’Arcy James) under Walter Robinson (Michael Keaton) – started noticing some abnormal law-enforcing patterns involving priests. It needs new editor, Marty Baron (Liev Schreiber), to finally break the silence and take the case into concerns. Continue reading Spotlight (2015) – Review
“Ideals are peaceful. History is violent,” said Don Collier.
Continue reading Fury (2014)
Steve McQueen, once again, proves himself in a blatant way–that he’s a savant that goes too hard on himself. He likes to force his audiences to watch real pain of his protagonists More years of slave inside!