With the breathtaking high-concept political action-thriller, dystopian sets and enticing ensemble of casts, Foxtrot Six could’ve been a total mayhem, but it ends up being a convoluted oversimplification.
Upon initiating a heroic act to support a corrupted nation, a military lieutenant turned congressman (Oka Antara, The Raid 2) is double-crossed and left for dead by the nation he holds dear. When he learns that a government-enabled genocide plan is on the run, the congressman assembles a special-op to stop the mayhem and to settle the score. That’s simply the general outline of Foxtrot Six—a rambunctious political action-thriller that, along with 3: Alif Lam Mim (2015) and Buffalo Boys (2018), defines a new sub-genre of Indonesian action blockbuster.
Continue reading “Review Foxtrot Six (2019)”
Review: I once wrote an abridged history of Beauty and the Beast roots on my review of Christophe Gans’ La Belle et La Bête. How this beautiful French lore has evolved, added more insight and backstories, and represented social issues from time to time alone has already made an intriguing tale. While adaptations and re-imaginings have altered it from the root, there’s one thing that never fades: the magic.
I can’t still see ‘the whys’ of Disney’s decision to remake their Renaissance animation with a live-action feature; yet, I can put aside that concerns. They’ve done it well with Cinderella (2014) by having courage and being kind and staying true to its root; and The Jungle Book (2016) by fulfilling the bare necessities. And for Beauty and the Beast, I can say that this live-action re-telling is not a must, but it’s necessary. Continue reading “Beauty and the Beast (2017) – Review”