With fuzzy narrative and alienating plot-points, Captain Marvel can still deliver a blast along with profound empowering message.
Ever since Thanos wreaking havoc in Infinity War, the wave of expectation about the real ‘avenger’ to avenge The Avengers hasn’t even plummeted down. Audiences seem to take the thing seriously and, since that emotionally relieving post-credit scene of Marvel’s most emotionally draining movie yet, expectations are soaring high. Only if Captain Marvel—the studio’s first solo female movie—could level up to the altitude, will those expectations be quenched.
Continue reading “Review Captain Marvel (2019)”
Review Ant-Man and the Wasp. To clean the palette after the devastating Infinity Wars, Marvel presents an all-round fun and funny family comedy.
Movie review Ant-Man and the Wasp: Back in 2015, a small-scale, lesser-known superhero named ‘Ant-Man’ carrying heavy-scale burden to follow up the Marvel’s ambitious (yet convoluted) assemble, Avengers: Age of Ultron was almost unimaginable. Stormed with production issue—when the appointed director, Edgar Wright, left due to creative difference and get replaced by Yes Man director, Peyton Reed—Ant-Man was, again, almost an expected trainwreck. Only, it did not end up becoming one; it instead becomes one of Marvel’s most prominent standalone movies which blends superhero action, unapologetic comedy and warm family drama.
In 2018, Ant-Man makes a come-back in a similar role to the previous film—to clean the palette after the devastating Avengers: Infinity War. In doing so, Ant-Man and the Wasp, still helmed by Reed, stays a small movie that completes the grand image of a bigger one. Effective proportion is what it takes to do the role. It stays minuscule and distant from the recent event, but it paves a way to be an important addition (or even key-point) in the next grand event, which as we may expect is the untitled fourth Avengers movie. Continue reading “Review Ant-Man and the Wasp (2018)”
Review: Giving Taika Waititi (What We Do in the Shadows, Hunt for the Wilderpeople) a Marvel gig is indeed the studio’s biggest game-changer, even bigger than Guardians of the Galaxy. After 17 films in some candy-colored superhero action mode with high-dose of witty comedy, the NZ director finally drops the bass and turns the table—making Thor: Ragnarok a.k.a. God of Thunder’s third tenure an exact opposite of Marvel’s procedural film: a full-time comedy with high-dose of action.
From the first scene where Thor (Chris Hemsworth) ‘infiltrates’ the lair of evil Surtur, a demonic presence prophesied as the bringer of Ragnarok a.k.a. Asgard’s apocalypse, it’s apparent that Ragnarok—despite bearing ‘apocalypse’ in the title—is never a grim story. It’s a story of siblinghood and friend-from-work-hood delivered as high octane hilarity which loves to have fun with typical CGI-laden blockbuster spectacles and Marvel-induced Norse mythology. However, even with the laughing-gas injection prescribed by Waititi, Ragnarok still ends up being that Marvel film. Continue reading “Thor: Ragnarok (2017) – Review”
Review: Best part about Marvel’s The Defenders is that it’s not a carbon copy of Avengers, despite revolving with the same all-heroes assembled formula. There’s no need a Nick Fury figure to unite Marvel’s heroes streamed at Netflix. Daredevil (Charlie Cox), Jessica Jones (Krysten Ritter), Luke Cage (Mike Colter) and the man-boy, Iron Fist (Finn Jones) are intertwined in their own business until sophisticated web of conflicts tangled them. And that’s a good sign, given the individual shows’ uneven height.
To begin with, this assemble isn’t at the same height as Netflix-Marvel’s best—that would be the first season of Daredevil and the cancerous single season of Jessica Jones. Yet, it’s definitely far more superior to the weakest—that would be Iron Fist. The Defenders might be in tie with the convoluted second season of Daredevil, but has more substance presented in a more straightforward manner. Continue reading “A Season with: Marvel’s The Defenders (2017)”
Review: In establishing his own ‘Sony’ world, the all-new Spidey (Tom Holland) has to swing across Marvel Cinematic Universe, find a more established mentor in Tony Stark a.k.a. Iron Man (Robert Downey, Jr.) and make an experimental entrance in Sokovian Accords feud—which made it into Spider-Man: Homecoming as Peter Parker’s vlog. Head-started with the Civil War (2016) stunt, director Jon Watts (Cop Car, Clown) along with five other writers deconstruct the web-slinging hero’s origin story, infuse it with coming-of-age gusto and redefine the old formula to make this third cinematic incarnation of Spider-Man a frivolously clumsy one.
As you’ve seen in his Captain America’s hijack, Holland’s Spidey is no more than a high school chap—barely 15 and a member of school’s decathlon team. Homecoming highlights his return to school after that ‘Stark internship’ in Berlin, where his mundane geeking/being bullied/being unpopular life has waited. Tenure with Tony Stark has given him high hopes of big action and great vigilante stunts; but a month has passed and he’s only becoming ‘the friendly neighborhood Spider-Man, as an extracurricular activity. Continue reading “Spider-Man: Homecoming (2017) – Review”
Review: Recapturing the magic of the original/first film is often an arduous quest, even by Marvel standards. Let’s forget not about how Joss Whedon’s misery, in crafting Age of Ultron to follow up the groundbreaking Avengers assemble, could not live up to the expectation. Given that record, it’s not a big surprise that Guardians of the Galaxy Vol. 2 falls flat in its attempt to live up the virtuoso of Marvel’s biggest gamble; what’s surprising: it still makes an awesome fun-tertaining space bravura centering on galaxy’s most favorite dysfunctional ‘family.’
Element of surprise is what’s missed in Guardians of the Galaxy Vol. 2. The Guardians – along with their closest relatives – aren’t unfamiliar faces anymore; same goes to Awesome Mix, the intergalactic vistas, and the typical jokes and banters they’re throwing. During their tenure in Guardians of the Galaxy, they’ve shared spotlight to finally form this band of misfits into a sort of universe protectors. Now, some must relegate into supporting roles and some must go upfront in not so typical disbanding-after-assembling sequel trope. Continue reading “Guardians of the Galaxy Vol. 2 (2017) – Review”