The story of four Marrowbone siblings conceals a sentimental twist under piles of familiarity.
Review: Writer of The Orphanage and The Impossible, Sergio G. Sánchez crafts an overly solid yet convoluted story—about four Marrowbone siblings—which conceals deeply sentimental twist under piles of familiar elements.
In his directorial debut, Marrowbone, Sánchez again utilizes supernatural elements within emotional family drama frame as in his previous works. Set in seaside America of the 1960s, this period drama revolves around the lives of four siblings who recently move to the States from England, to the childhood house of their mother, Rose Fairbairn—nee Marrowbone (Nicola Harrison). Starting over their lives in a foreign land, the siblings—Jack (Captain Fantastic’s George Mackay), Billy (Stranger Things’ Charlie Heaton), Jane (Mia Goth), and Sam (Matthew Stagg)—bear their mother’s maiden name to disguise from something that has been haunting them all along. Continue reading “Marrowbone (2017) – Review”
DC has found its fun serum that does no justice
Review: Let’s break down Justice League into good news and bad news first. The good news is Justice League shows that DC has actually learned how to concoct a story out of their metahumans (yes, for them, the word ‘superhero’ is overrated) extensively since Batman v Superman: Dawn of Justice, and how to sweeten up their preferably dark universe with proper humors, too, ever since Suicide Squad. While the bad news: the good news only slightly helps the film from being a total mess.
Following rave reviews showering Patty Jenkins’ Wonder Woman and news of reshoots along with post-production galore to Avengers’ helmer, Joss Whedon, expectation flown high on how Justice League would finally do the justice to DC. At some points, it might live up the expectation; thanks to balance between Zack Snyder’s grim visions and Whedon’s holly jolly. Snyder, who left during post-production, still gets the sole director billing for his extensive work; but, we know that it’s Whedon who invents and injects the fun-serum. The cahoots result in a fun, energetic, light and more accessible crowdpleaser using DC’s properties. Regardless, Justice League apparently not a back-to-back victory. Continue reading “Justice League (2017) – Review”
Review: For as long as history repeats itself, an endless generation clash would always be an intriguing topic to ponder on. No matter how much technology or lifestyle or virtue have changed, the fundamental difference which always leads to rift between older generation and younger one has never ceased to exist. Basically, that discourse is emanated through Upi’s My Generation, despite its retro-millennial presentation.
My Generation deliberately and solely takes the younger generation’s stance in this all-out generation wars. As young blood runs hot, we are taken to observe how the film’s millennial protagonists—Zeke (Bryan Langelo), Konji (Arya Vasco), Orly (Alexandra Kosasie) and Suki (Luthesa)—become the anti-hero, the victim and the antagonized party at once. The older generation, represented by teachers and parents, is depicted as the villain and the judge. The youngsters start the film defeated… but, that doesn’t mean they’re finished. “No one can stop us!” they exclaim. Continue reading “My Generation (2017) – Review: Young blood runs hot”
Review: Hujan Bulan Juni (literally ‘June’s Rain), an adaptation of Sapardi Djoko Damono’s poetic novel, presents a complicated yet colorful romance thread between two lecturers. There are lots more than modest love story and exchanging of poems in the plot; however, this adaptation decides to present it more like a visual poem than a narrative apparatus.
It’s a grown-up love story about hesitation and love in the intersection of past and future. Pingkan (Veloxe Vexia), a Japanese Literature lecturer, will go to Japan for further studies; yet, before leaving, Sarwono (Adipati Dolken), an Anthropology lecturer and her lover, asks her to accompany him for the university affairs in Manado, Pingkan’s hometown. Unbeknownst to them, fear of Pingkan’s intersecting past and future engulfs Sarwono. Through poems, Sarwono attempts to warn his lover; and through poems, Pingkan attempts to convince her lover. Continue reading “Hujan Bulan Juni (2017) – Review: A less-narrative visual poetry”
Review: The Babysitter, Netflix new original flick, is surprisingly an exhilarating ‘Home Alone’ of teen-slasher thriller. It revolves around a fateful night for a pubescent school guy, Cole (Judah Lewis), who secretly admires his teenage babysitter, Bee (Samara Weaving), who seems to have similar interest to classic films and pop culture. Cole’s parents are out of town for a reconciling ‘honeymoon’, leaving him alone only with Bee. That’s how the crazy night begins.
FYI, the whole gonzo is McG’s new film and it comes like what McG films should be. It’s sexy, adrenaline-charged, over-the-top and stylish; although often coming all over the place and, basically, bland. This time, McG adds some touch of gore and references to classic B-movie slashers in presenting his latest guilty-pleasure ride. Continue reading “The Babysitter (2017) – Review”
Review: Taiwanese documentary filmmaker, Mu-Ming Tsai (Hanzi, Design & Thinking, Maker), spawns his first feature film, Paradoxical—a romance drama which goes hand in hand with a modest time travel chronicle. The result is an essay of love & time presented in a low-key, dialogue-driven cinema.
The film chronicles the blossoming relationship between an aspiring terrarium artist, Shi Jing (Helena Hsu, credited as Nai Han Hsu), with a cute geek, You Kong (Kenny Yen), whose job is related to a new time-travel technology called Time-lag. You Kong gets involved in a secret mission using Time-lag with a prodigy, Yuan Hai (Yuchen Ho); while Shi Jing begins to experience existential crisis as an artist. As their relationship grows, a thread of unrelated incidents around their lives starts to unravel a complicated connection between their past and their future. Continue reading “Paradoxical / 時光 (2017) – BALINALE Review”