Gina S. Noer surprisingly flaunts playful imagery and enchanting dialogues to complement the story that, by nature, is powerful—even when the narrative is sometimes overwhelming in Dua Garis Biru.
While formulaic, Crawl sees Alexandre Aja delivering a hybrid thriller which effectively puts you at the edge of the seat as the sheer dangers keep making your skin crawls.
Playful in the same manner as Iron Man 3, the globe-trotting Spider-Man: Far From Home is possibly the best choreographed Spider-Man movie ever but that’s possibly its best suit.
Annabelle Comes Home will be remembered as the high concept horror blockbuster which will spawn more entries to The Conjuring universe.
Fresh narrative idea and fabulous casts bring warmth to the upraising horror-comedy about a literal ghost writer, that will forever marks Bene Dion Rajagukguk’s directorial effort.
While seemingly only ticking off some major rom-com to-do list, Always Be My Maybe is elevated by Ali Wong & Randall Park’s individual and collective performance channeling the insecurity of American-born Asians.
While rigged with clichés and comical elements, Miss & Mrs. Cops still delivers a fun female buddy-cop action movie with relevant message to current issue in South Korea.
Zahler’s decision to pair up Gibson and Vaughn in his trademark, sentimental hard-boiled B-movie is a toughly perfect one.
While overstaying the welcome a bit too long, Brightburn still delivers its visionary premise of a superhero origin story turning into a visceral horror.
Theron and Rogen’s blithesome chemistry excels in this carefree political rom-com that feels somehow sincere and biting at the same time.