“I’ve killed women and children. I’ve killed just about everything that walks or crawled at one time or another,” said William Munny explaining who he was.
Clint Eastwood dedicated his final Western film as a director and an actor, Unforgiven, to the sub-genre that has made great name out of him. More, he specifically dedicated it to people whom he’ll be forever in debt with, Sergio Leone and Don Siegel. And, who knows that a devoted tribute would end up being a milestone to the modern-day Western film. And, who knows that this tribute would be Eastwood’s legacy. Continue reading Blindspot: Unforgiven (1992)
Review: Welcome to Monterey, California! It’s a beautiful beachside city where first-grader public school orientation might lead to a murder on parents’ trivia night. Neither victim nor the murderer is revealed; but, when we trace a further back, there’s a series of big little lies masterminding the eventual murder. And, that’s how we start Big Little Lies.
Adapted from phenomenal novel by Australian author, Liane Moriarty, this HBO’s mini-series – written by David E. Kelley and directed in its entirety by Jean-Marc Vallée (Dallas Buyers Club, Wild) – unravels an unsettling parental drama in the light of blurry crime-mystery. Instead of ‘asking’ audiences to get invested to the murder mystery, Big Little Lies focuses more on its characters – their parental lives, their scandals, their darkest secrets and the meaning of cause and consequences – delivered with stellar performance by top-tier casts. Continue reading A Season with: Big Little Lies (2017)
Review: Jordan Peele’s directorial debut Get Out is truly a cinematic experience. How wouldn’t? It’s a witty satirical pitch-black comedy about racism served in horror or thriller mantle (depends on how you would perceive it). Furthermore, it feels mysteriously uncomfortable as it sneaks behind and takes you by surprise at every possible turn. To call it one of the most noteworthy films of the year isn’t exaggerating at all.
Before discussing further, I wouldn’t suggest you watching any trailers or reading careless synopsis; therefore, I am writing this spoiler-free review as careful and neatly as possible. Continue reading Get Out (2017) – Review
“Power is when we have every justification to kill, and we don’t,” said Oskar Schindler.
Based on a real story about Oskar Schindler – a German businessman who saved thousands of Jews in Nazi-occupied German during the World War II, Schindler’s List stormed the Oscars in 1994 with 12 nominations and won 7 of it, incl. Best Picture, Best Director for Steven Spielberg and Best Adapted Screenplay for Steven Zaillian. A story as epic as it is, narrated in 3-hour long black and white motion, is definitely a story of a lifetime; and I am pleased to finally watch it after nearly 24 years after it first screened. Continue reading Blindspot: Schindler’s List (1993)
Review: Undeniably, Silence is Martin Scorsese’s most personal and ambitious work to date. Adapting Shusaku Endo’s 1966 novel of the same title about the voyage of two Jesuit priests in the 17th century Japan, in a misty era called ‘Kakure Kirishitan’ or ‘hidden Christian.’ It is a story about faith and questions that surround men of faith in a desperate time. Inarguably, it is poignant, visceral and though-provoking at the same time – just like faith itself.
Silence follows Father Rodrigues (Andrew Garfield) and Father Garupe (Adam Driver), who voluntarily voyage from Portugal to Japan in order to locate the whereabouts of their missing mentor, Father Ferreira (Liam Neeson). Arriving in Japan, the priests immediately get plunged into the miserable life of Japanese Christians, who live and pray in silence and secrecy, for fear of being prosecuted and tortured by Shogunate Inquisitor, Inoue (Issei Ogata). Under such circumstances, the priests barely carry their initial mission out as they’re engulfed in rehabilitating the people’s deteriorating faith and survive the catastrophe themselves. Continue reading Silence (2016) – Review
Review: In Manchester by the Sea, writer-director Kenneth Lonergan crafts a subtle chef-d’oeuvre of tragedy, involving grief and only grief. And by mentioning ‘tragedy’, what I mean is the ancient form of drama – based on human suffering that appeals audiences’ pleasure; therefore, that doesn’t mean it is a tear-jerking melodrama, although it indeed is a bitter story. And, if Lonergan is the god of this story, this god must have laughed over the tragedy-by-tragedy that strikes its main protagonist and the surroundings.
Grief is what force-starts everything in Manchester by the Sea. There we meet our man, Lee Chandler (Casey Affleck with devotion), a handyman in Boston and a divorcee. The conspiring nature calls Lee back to his home town, a Massachusetts coast town, Manchester-by-the-Sea, following the death of his brother (Kyle Chandler). Lee is called to tend his brother’s son, Patrick (Lucas Hedges), to mend his grief. Little did we know that the same town is where all Lee’s guilt and grief started; and, now, he must console his nephew from the pain Lee himself could not overcome. Continue reading Manchester by the Sea (2016) – Review