Review: The first thing Life has successfully proven is: space horror is still helluva sub-genre. While most space-themed films recently focus on breaking more grounds with cerebral sci-fi euphoria, Daniel Espinosa’s latest feature confidently takes a retro influence to remind us of that notion.
Life opens with approx. 7-minute continuous shot (that suddenly reminds me to Gravity’s opening) revolving around the space-life of 6 crew members of ISS, who at one night make the greatest breakthrough in humanity’s space voyage history: an organic evidence of extraterrestrial form in Mars. The alien being, at first, seems hazardless as a single-cell form; but, then some conditionings ‘awake’ the creature – dubbed as Calvin – to its incredible form: all cells are muscular, neural and photoreceptive – or simply, all cells are muscle, brain, and eyes at once. While the whole world is awe-struck, a noob-mistake in the space station lab triggers a butterfly effect that leads to what I’ve mentioned previously: space horror. Continue reading Life (2017) – Review
Review: To the glorified 90s kids, Mighty Morphin Power Rangers was an all-time phenomenon. Five candy-colored heroes in costume (well, sometimes six), guided by a hologram face and an android, fight fancy-designed monsters – who can morph into giant form – with mecha-assembles called zord. It’s an immortal childhood memories for those kids; and immortal money pit for the makers, hence the new Lionsgate adaptation, Power Rangers.
This new Power Rangers starts with a new invention to the Power Rangers myth where Zordon (Bryan Cranston) sacrificed himself to protect ‘Zeo crystal’ from his treacherous ex-Ranger-mate, Rita Repulsa (Elizabeth Banks). Million years later, the battleground is now a small city called – yes you’re right – Angel Grove, where five teenagers: Jason (Dacre Montgomerry, Stranger Things), Billy (RJ Cycler, Me and Earl and the Dying Girl), Kimberly (Naomi Scott), Zack (Ludi Lin) and Trini (Becky G.) reside. As predictable as ever, Power Rangers follows the ‘usual plot’; but what can you expect from a Rangers film but fun and campiness? Continue reading Power Rangers (2017) – Review
Review: The sixth installment of Resident Evil franchise opens with a recaps of ‘the story so far’ narrated by the protagonist, Umbrella’s prodigal daughter, Alice (Milla Jovovich). Going further to several years prior to the first film, the prologue jumps to the event in the first film, and abruptly shifts to several minutes before this Final Chapter.
At one point it’s a courtesy to help audiences refresh and brush up some worn-off memories about the plot of the whole franchise. At the same time, it confirms that, except for the first installment, Resident Evil is rather prolonged, characterless, and forgettable. The Final Chapter has the potentials to wipe that gripe off, to make a lasting final impression; but, the same thing that weighed down its predecessors weighs it down, too. Continue reading Resident Evil: The Final Chapter (2017) – Review
Review: In Arrival, 12 extraterrestrial saucers mysteriously appear and float above 12 different places around the Earth. Clueless of what they may encounter, humanity quickly falls into fears and turmoil. A linguistic professor, Dr. Louise Banks (Amy Adams) is summoned into an alien site nearby to decipher the alien’s alleged language, to prevent mass hysteria that might lead to a war of the world.
David Villeneuve, director of acclaimed grim thrillers (from Incendies to Sicario), picks up where other ‘first-contact’ predecessors (i.e., The Day the Earth Stood Still or Independence Day) have established and neutralizes it, making it more ambiguous in terms of the hazard. Arrival is presented as a new non-patronizing and non-preachy cerebral sci-fi detailing an mind-bending approach to allegedly alien invasion. Continue reading Arrival (2016) – Review
Review: Crafted from a game of the same title with movie-material gameplay and interesting pseudo-sci-fi premise; then helmed by Justin Kurzel, the man who successfully adapted the cursed play, Macbeth, along with the stars, Michael Fassbender and Marion Cotillard; Technically, Assassin’s Creed would have made ‘the first’ beautifully compelling video-game adaptation. Yet, it simply doesn’t.
Apparently, the culprit is the script, written by Michael Lesslie (Macbeth) and retouched by Adam Cooper and Bill Collage (Exodus, Allegiant), which cannot accommodate the sense of excitement the game offers, and instead overplots it. Instead of moving the story forward, this Assassin’s Creed is slowing it steps down with uneffective faux complexities. Continue reading Assassin’s Creed (2016) – Review
Not A Review: The first Star Wars spin-off finally boards. Rogue One: A Star Wars Story is a piece of puzzle to connect timeline in the main canon of the saga. Set in between Episode III: Revenge of the Sith and Episode IV: A New Hope, Rogue One tells a heroic mission carried by the titular squad in stealing Death Star’s plan as told in A New Hope‘s opening crawl.
Though it is a spin-off, Rogue One is still all about the hype. It’s a fan-service spin-off all fanboys and fangirls are waiting for. How it connect story to enrich the main saga is incredible; and the list of references it displayed gets all the fanboys and fangirls scream in excitement. In short, Rogue One is still a certified Star Wars film in and through.
Same as The Force Awakens in 2015, SINEKDOKS isn’t writing a review for Rogue One (although it comes under ‘Movie Review’ category). It’s an appreciation post dedicated to the first official spin-off of Star Wars. SINEKDOKS find 150 favorite moments in the film to share with fellow fans and audiences
– This post is a very long post.
– This post contains soft and hard spoilers for Episode IV: A New Hope, Episode V: Empire Strikes Back, Episode VI: Return of the Jedi, Episode VII: The Force Awakens and Rogue One: A Star Wars Story. Read at your own risk. Continue reading 150 Favorite Moments & Easter Eggs in Rogue One: A Star Wars Story (2016)