Review: The sixth installment of Resident Evil franchise opens with a recaps of ‘the story so far’ narrated by the protagonist, Umbrella’s prodigal daughter, Alice (Milla Jovovich). Going further to several years prior to the first film, the prologue jumps to the event in the first film, and abruptly shifts to several minutes before this Final Chapter.
At one point it’s a courtesy to help audiences refresh and brush up some worn-off memories about the plot of the whole franchise. At the same time, it confirms that, except for the first installment, Resident Evil is rather prolonged, characterless, and forgettable. The Final Chapter has the potentials to wipe that gripe off, to make a lasting final impression; but, the same thing that weighed down its predecessors weighs it down, too. Continue reading Resident Evil: The Final Chapter (2017) – Review
Review: In Arrival, 12 extraterrestrial saucers mysteriously appear and float above 12 different places around the Earth. Clueless of what they may encounter, humanity quickly falls into fears and turmoil. A linguistic professor, Dr. Louise Banks (Amy Adams) is summoned into an alien site nearby to decipher the alien’s alleged language, to prevent mass hysteria that might lead to a war of the world.
David Villeneuve, director of acclaimed grim thrillers (from Incendies to Sicario), picks up where other ‘first-contact’ predecessors (i.e., The Day the Earth Stood Still or Independence Day) have established and neutralizes it, making it more ambiguous in terms of the hazard. Arrival is presented as a new non-patronizing and non-preachy cerebral sci-fi detailing an mind-bending approach to allegedly alien invasion. Continue reading Arrival (2016) – Review
Review: Crafted from a game of the same title with movie-material gameplay and interesting pseudo-sci-fi premise; then helmed by Justin Kurzel, the man who successfully adapted the cursed play, Macbeth, along with the stars, Michael Fassbender and Marion Cotillard; Technically, Assassin’s Creed would have made ‘the first’ beautifully compelling video-game adaptation. Yet, it simply doesn’t.
Apparently, the culprit is the script, written by Michael Lesslie (Macbeth) and retouched by Adam Cooper and Bill Collage (Exodus, Allegiant), which cannot accommodate the sense of excitement the game offers, and instead overplots it. Instead of moving the story forward, this Assassin’s Creed is slowing it steps down with uneffective faux complexities. Continue reading Assassin’s Creed (2016) – Review
Not A Review: The first Star Wars spin-off finally boards. Rogue One: A Star Wars Story is a piece of puzzle to connect timeline in the main canon of the saga. Set in between Episode III: Revenge of the Sith and Episode IV: A New Hope, Rogue One tells a heroic mission carried by the titular squad in stealing Death Star’s plan as told in A New Hope‘s opening crawl.
Though it is a spin-off, Rogue One is still all about the hype. It’s a fan-service spin-off all fanboys and fangirls are waiting for. How it connect story to enrich the main saga is incredible; and the list of references it displayed gets all the fanboys and fangirls scream in excitement. In short, Rogue One is still a certified Star Wars film in and through.
Same as The Force Awakens in 2015, SINEKDOKS isn’t writing a review for Rogue One (although it comes under ‘Movie Review’ category). It’s an appreciation post dedicated to the first official spin-off of Star Wars. SINEKDOKS find 150 favorite moments in the film to share with fellow fans and audiences
– This post is a very long post.
– This post contains soft and hard spoilers for Episode IV: A New Hope, Episode V: Empire Strikes Back, Episode VI: Return of the Jedi, Episode VII: The Force Awakens and Rogue One: A Star Wars Story. Read at your own risk. Continue reading 150 Favorite Moments & Easter Eggs in Rogue One: A Star Wars Story (2016)
Review: There’s a well-known paradox known as Schrödinger Cat, a thought experiment in which a cat is put into a box with a toxic acid that may kill it. While inside the box, without observer, the cat is said to be simultaneously alive and dead. One character in The Girl with All the Gifts mentions about the paradox, while simultaneously posts a most appropriate allegory for this film.
The best way to plunge into The Girl with All the Gifts is knowing less beforehand. Not that it is full of surprises and twists, but the adaptation of Mike Carey’s bestselling novel relies much on its first act which serves as a mind-boggling sci-fi mystery with minimum clue available. The less you know about what this film is about, the more this part crawls along your skin with dozens of question marks. Continue reading The Girl with All the Gifts (2016) – Review
Review: Being lambasted with slimy, cynical criticism even ways before its official release might be a notorious achievement Ghostbusters reboot must atone. It all centers in Paul Feig’s decision to cast an all-female team as the new ghostbusters. Flood of sexist mockeries and Youtube dislikes crowned it as the most hated pre-screened film.
Yet, rest assured, those cynical quips do not rightfully judge the ‘actual film’ at last; at least, majority of it isn’t right. Ghostbusters still manages to be a fun, exciting and hilarious film, although it doesn’t reflect Feig’s best performance.
Ironically, those all-female ghostbusters – Kristen Wiig, Melissa McCarthy, Kate McKinnon, and Leslie Jones – are the best ammo Ghostbusters has, aside from Paul Feig’s expertise in crafting PG-13 humors (which almost always tip R-rating) under this most famous ghost hunter’s scheme. Continue reading Ghostbusters (2016) – Review