Movie Review Mission Impossible Fallout (2018). It’s a taut and highly energized action extravaganza whose energy is abundantly channeled even in the slower first half.
Movie Review Mission Impossible Fallout (2018): Previous five Mission: Impossible movies have all showcased different flairs of action spectacles under five different directors. All five movies have made quite a reputation to be that action franchise with consistently fresh and innovative death-defying stunts (ever so often done by the franchise’s face—Tom Cruise). Now, with Fallout, this franchise finally makes another reputation—to be one of the rarest franchises in which each installment is technically overdoing the predecessors.
Tom Cruise reprises his role both as Ethan Hunt and as the death-defying stunt performer (this time he did a highly-choreographed HALO jump and he even piloted a helicopter), that renowned IMF agent who has been accomplishing impossible missions since around 2 decades ago. As the title might suggest, Fallout is about dramatic chaos as a result of a dramatic event; but, look closely, you might also find a clue about the sheer hazard the protagonist might be facing should they fail this time—fallout of nuclear explosion. One thing for sure, Fallout is a globe-trotting action bravura which highlights Tom Cruise ‘dedicated’ stardom in all the decent way. Continue reading “Review Mission: Impossible – Fallout (2018)”
With catchy tunes, heartfelt fan-service treatment and juxtaposed narrative, the uplifting prequel not only completes (even, exceeds) the original Mamma Mia, but it also works delicately as a standalone story
Movie Review Mamma Mia! Here We Go Again (2018): Several years have passed since the kitschy Mamma Mia! (2018), where Meryl Streep teams up with all-star casts of all generations (including Pierce Brosnan, Colin Firth, Stellan Skarsgard plus younger generation casts, such as Amanda Seyfried and Dominic Cooper) creating a campy—and tacky—musical drama about family and dream. Mamma Mia! Here We Go Again (2018) brings audiences back to the Greek island, Kalokairi, where the first film commenced, for an (sadly) incomplete reunion.
Ol Parker (The Best Exotic Marigold Hotel and the sequel) pens and treats Mamma Mia! Here We Go Again as if it is the Godfather II with Streep as Brando and Seyfried as Pacino. To complete the Godfather manifestation, they even have Lily James as De Niro of Mamma Mia!. Even further, this second movie also serves as both prequel and sequel with stories that juxtapose into each other and into the original story. Wherefore, it makes a better movie in terms of presentation—‘correcting’ the flimsiness of the original. Continue reading “Movie Review Mamma Mia! Here We Go Again (2018)”
‘Welcome to the Jungle’ is a lighter and more carefree Jumanji, even compared to the predecessor and Zathura.
Review: There’s a lot of joy in the superfluous sequel/spin-off of Robin Williams’ 1995 boardgame comedy, Jumanji. The legendary boardgame is no longer; it’s morphed into a 1980s’ videogame console. The predecessor’s heart, the talk about responsibility, is also stripped off—substituted with non-stop merriment and teen-angst. The result is a feel-good blockbuster packed with tons of fun and joyride carrying the best of the holiday vibes.
Jumanji: Welcome to the Jungle starts off by absurdly channeling The Breakfast Club before sucking out the four protagonists into the heart of the artificial jungle in a whole new action RPG. We have the nerd (Alex Wolff), the jock (Ser’Darius Blain), the recluse (Morgan Turner) and Molly Ringwald of Instagram era (Madison Iseman) playing the game. Inside the game, the teens also morphs into the avatar they’re choosing. The nerd turns into the all-muscle Dwayne Johnson with smoldering eyes; the jock shrinks into the cake-intolerant Kevin Hart, the sidekick; the recluse turns into the smoky hot Lara Croft-esque Karen Gillan; and the pretty girl turns into… Jack Black. And, they are all trapped inside the game which won’t let them go unless they finish it. Continue reading “Jumanji: Welcome to the Jungle (2017)”
Paddington’s fully-integrated story to human family is a bear-y merry sequel.
Review: Paddington—the marmalade-loving Peruvian bear who has now become a permanent resident in Windsor Gardens, London along with The Browns—returns for another adventure in this bear-y merry sequel.
While having been entirely integrated into human’s life and become a local hero, Paddington (voiced by Ben Whishaw) is still the bear he used to be—the little bear saved and adopted by the late Uncle Pastuzo (voiced by Michael Gambon) and Aunt Lucy (Imelda Staunton). For Aunt Lucy’s 100th birthday, Paddington is keen to give her a unique pop-up book about London, the city of her dream. The lil’ bear will do anything to finally buy the book from Mr. Gruber’s (Jim Broadbent) antique shop; even when what he’s done gets him entangled into a malicious conspiracy orchestrated by a villainous former actor, Phoenix Buchanan (Hugh Grant). Continue reading “Paddington 2 (2017) – Review”
DC has found its fun serum that does no justice
Review: Let’s break down Justice League into good news and bad news first. The good news is Justice League shows that DC has actually learned how to concoct a story out of their metahumans (yes, for them, the word ‘superhero’ is overrated) extensively since Batman v Superman: Dawn of Justice, and how to sweeten up their preferably dark universe with proper humors, too, ever since Suicide Squad. While the bad news: the good news only slightly helps the film from being a total mess.
Following rave reviews showering Patty Jenkins’ Wonder Woman and news of reshoots along with post-production galore to Avengers’ helmer, Joss Whedon, expectation flown high on how Justice League would finally do the justice to DC. At some points, it might live up the expectation; thanks to balance between Zack Snyder’s grim visions and Whedon’s holly jolly. Snyder, who left during post-production, still gets the sole director billing for his extensive work; but, we know that it’s Whedon who invents and injects the fun-serum. The cahoots result in a fun, energetic, light and more accessible crowdpleaser using DC’s properties. Regardless, Justice League apparently not a back-to-back victory. Continue reading “Justice League (2017) – Review”
Review: Despite being critically lambasted, The Brothers Strause’ 2010 alien invasion flick, Skyline, is a legit B-movie success—grossing USD 79 million from USD 20 million budgets—locking the possibility of a sequel, hence Beyond Skyline. Helmed by the first film’s writer and producer, Liam O’Donnell, this sequel (or spin-off) seems to have learned a lot from the predecessor’s a-tad-too-serious execution of the campy material.
Beyond Skyline doesn’t bother to take things seriously. The result is an anachronistic B-movie feast which offers tons of fun if not weighed down by its gawkish, untidy execution and convoluted plot. The best thing about it: it can actually bring something even Star Wars failed to do—combining The Raid-esque action with alien invasion tropes. Continue reading “Beyond Skyline (2017) – Review”