Review: A teenage girl, Hannah Baker (Katherine Langford) committed suicide. Instead of leaving suicide notes, she left seven double-sided cassette tapes – in which she stated a reason and tagged a person ‘responsible’ for her demise in each side of the tape but one; hence, 13 Reasons Why. Ever since the first episode, the show is narrated by a dead girl pointing out who share the responsibility of killing her, as listened by a clumsy school boy, Clay Jensen (Dylan Minnette), who is eager to find out his school’s dirty little secrets.
This series is adapted from Jay Asher’s best-selling young-adult fiction which defies the convention of YA tropes. As much as it is accessible and binge-worthy, this somber, grim teen-angst ridden series is surprisingly taut and thought-provoking, despite revolving around coming-of-age tropes. So, here’s 13 points compiled to review 13 Reasons Why. Continue reading A Season with: 13 Reasons Why (2017)
Review: Jordan Peele’s directorial debut Get Out is truly a cinematic experience. How wouldn’t? It’s a witty satirical pitch-black comedy about racism served in horror or thriller mantle (depends on how you would perceive it). Furthermore, it feels mysteriously uncomfortable as it sneaks behind and takes you by surprise at every possible turn. To call it one of the most noteworthy films of the year isn’t exaggerating at all.
Before discussing further, I wouldn’t suggest you watching any trailers or reading careless synopsis; therefore, I am writing this spoiler-free review as careful and neatly as possible. Continue reading Get Out (2017) – Review
Review: A fatherly painter, Jesse Hellman (Ethan Embry), who happens to be a death metal aficionado, moves to a bigger, new house along with his wife, Astrid (Shiri Appleby) and his ‘daddy’s little wanna-be’ daughter, Zooey (Kiara Glasco). With beard like Jesus and skinny, tattooed body – almost always naked or wrapped with either Metallica or Slayer tees, Jesse is instantly possessed by an unseen power which makes him paint a satanic figure devours suffering children.
On the opposite end, an overweight, mentally disturbed man, Ray Smile (Pruitt Taylor Vince), who almost always wears red tracking suit, is plagued by the satanic voice. Pleasing his lord/taunting Jesus with full-amped distortion from his Gibson Flying V is one thing that the voice told him to; his main goal is: killing children because they are the devil’s candy. Continue reading The Devil’s Candy (2017) – Review
Review: The first thing Life has successfully proven is: space horror is still helluva sub-genre. While most space-themed films recently focus on breaking more grounds with cerebral sci-fi euphoria, Daniel Espinosa’s latest feature confidently takes a retro influence to remind us of that notion.
Life opens with approx. 7-minute continuous shot (that suddenly reminds me to Gravity’s opening) revolving around the space-life of 6 crew members of ISS, who at one night make the greatest breakthrough in humanity’s space voyage history: an organic evidence of extraterrestrial form in Mars. The alien being, at first, seems hazardless as a single-cell form; but, then some conditionings ‘awake’ the creature – dubbed as Calvin – to its incredible form: all cells are muscular, neural and photoreceptive – or simply, all cells are muscle, brain, and eyes at once. While the whole world is awe-struck, a noob-mistake in the space station lab triggers a butterfly effect that leads to what I’ve mentioned previously: space horror. Continue reading Life (2017) – Review
Review: Oscar winner, Matthew McConaughey gone method portrays an inspired-by-true-figure prospector, Kenny Wells, in Stephen Gaghan’s Gold. Born with silver spoon, inherited father’s wealth, and ended up as a loser, that’s how Kenny’s life ventures. McConaughey looks hideous and vexing at the same time as ambitious Kenny – bald, black-lunged and pot-bellied; he almost looks like Christian Bale in American Hustle. However hideous he looks, but this man is the epicenter of this greed-ridden adventure – The Wolf of the Wall Street from the jungle.
Inspired by a real event about world’s biggest gold hunt scandal in Indonesia, which cost investors millions of dollars, Gold is never a sympathetic story. You wouldn’t be surprised if this Kenny man brings apocalypse to stock market. He’s innocently ambitious and greedy at the same time. He often claims that what he sees isn’t money, but gold; but, in fact, the prospects of money plus some daddy issues got him blinded. I almost admire his persistence; but getting admiration isn’t really his best aptitude. While the million dollar (or 24 carat) fraud is a big serious deal to tell; Gold practically is McConaughey’s one-man show. Continue reading Gold (2017) – Review
Review: When their mother died, two brothers – a divorcee Toby (Chris Pine) and an ex-con Tanner (Ben Foster) – get involved in a series of bank-robbing quests, specifically against Texas Midlands Bank – the bank which threats to foreclosure the family’s ranch. Toby, the younger one, is a more motivated mastermind; meanwhile, Tanner, the self-claimed Comanche, is a man with violent tendency. What the brothers bring in Hell or High Water is poetic justice.
To minimize risks, the brothers only rob small banks and small bills to get laundered; although Tanner’s explosive behavior always gets his brother frustrated. However, bank robberies have never been a small-time crime not to attract attention. Two Texas Rangers are assigned for the case – Alberto Parker (Gil Birmingham) and Marcus Hamilton (Jeff Bridges), an almost retired powerhouse. If anyone should be in the brothers’ way, the dodgy ol’ man is the perfect show-stopper. Continue reading Hell or High Water (2016) – Review