Cinema went on a pop-culture pilgrimage during the first couple of weeks in April 2022. Each of the new release feels like walking down the memory lane — from revisiting Ultraman from the old TV era, side-scrolling Sonic the Hedgehog on SEGA Genesis, to taking sorting hat quizes over and over again just to make sure you’re 100% Gryffindor material. That’s how this volume pops the nostalgia.
From the Theatre
Sonic the Hedgehog 2
The flashy blue hedgehog brings the nostalgia hot and hardcore. Following the defying-gravity moment in the first film, the sequel attempts to up the game by bringing out fan-favorite characters on-screen. The two-tailed fox, Miles ‘Tails’ Prower, was hinted at before; while, Sonic’s antithesis, Knuckles the Echidna, was only brought up in the prom...
Dean Devlin's Bad Samaritan offers a playful twist on the usual good Samaritan tropes with a light thriller. After a series of writing gigs for Roland Emmerich in the 90s and his directorial debut, Geostorm, it feels like a massive departure from his safety zone. Devlin's studio Electric Entertainment bought the screenplay written by Brandon Boyce in 2013, and it immediately enters development hell until the producer finally steps in the directorial duty.
Christopher Walken stars as a Saskatchewan farmer, Percy Schmeiser, in Clark Johnson's Percy. The screenplay, written by Garfield L. Miller and Hilary Pryor based on a real-life legal battle in the late 1990s, is an outright story about David against Goliath. The alternate title Percy Vs. Goliath even takes this notion to the next level. Percy is the David and the agrochemical corporation, Monsanto, is the Goliath.
Percy, like his father and grandfathers before him, has been a canola farmer for generations. His method is always the same: taking the finest seeds from previous harvests for the next season. That's why he's more baffled than surprised when, out of a sudden, Monsanto sued him for illegally using their genetically modified canola seeds. To him, it's a helluva accusation;...
Amy Poehler's directorial effort, Moxie, brings back teenagers to the breakthrough movement of the bygone era fused with current issues. It's suddenly a DIY fanzine era again, with teen angst and niche poured all over, to send a sharp message. With themes revolving around bullying along with patriarchal and rape culture in US schools, you can almost observe the director's footprints here and there — without more aggressive whimpers than barks.
With a long-standing feud that has lasted for nearly 80 years, the infamous Thomas Cat and Jerry Mouse return for another showdown in what's become their second feature film (after Tom and Jerry: The Movie in 1992). In aftermath of the slow-moving development hell, Tom & Jerry finally arrive under WarnerMedia's cahoot with HBO for a hundred-minute slapstick bonanza between a couple of love-to-hate feline and rodent. This time, their story comes as a live-action and animation hybrid a la Roger Rabbit with Tim Story directing and Chloë Grace Moretz starring alongside the animated duo.
Coming to America is a surprising cultural touchstone. Eddie Murphy, possibly the greatest showman of that era, leads an all-Black ensemble of casts for a feel-good titular journey. He's portraying Prince Akeem Joffer from Zamunda, a wealthy African monarch country whose on-screen luster precedes Wakanda in recent history. The film's bold guts to choose how a Black community is portrayed and represented is a landmark of its own, even when its broad slapstick and shades of misogyny often draw egregious legacy.
In 2001, a Mauritanian man was arrested by the US government in aftermath of the September 11 attacks. The govt accused him of recruiting members for al Qaeda. He was then detained at Guantanamo Bay from 2002 until 2016 without any official charge or trial. The man, Mohamedou Ould Salahi, wrote his misfortune in a 2015 memoir 'Guantanamo Diary' which becomes the inspiration for Kevin Macdonald's The Mauritanian.
Related Post: Review: Dark Waters (2019)
Tahar Rahim sympathetically portrays Salahi with panache and extra sensitivity. However, The Mauritanian is ironically a more collective, multi-faceted story, rather than a focused story about Salahi's ordeal. The plot adds extra perspectives to the 14-year story with the inclusions of an Americ...
Inarguably, Kepompong might be one of the most memorable Indonesian pop-culture paraphernalia from 2008. The daytime teen series went on releasing 290-ish episodes between 2008 and 2009 while resurging former child actor Derby Romero's career. At the same time, the series saw the rise of newcomer Mikha Tambayong and the gush of the one-hit cult-classic song by Sind3ntosca.
More than a decade later, a feature film reworks elements from the original series into a timeless high-school drama called Persahabatan Bagai Kepompong. One of the original writers, Alim Sudio, returns on the writing desk; meanwhile, Sentot Sahid (usually known as a film editor) sits on the director's chair. However, it's not a mere adaptation; it's more of a spiritua...
Netflix-bound young adult romance, Geez & Ann, adds to the ever-expanding hit-or-miss Wattpad waves in Indonesian blockbuster scenes. Based on a story by Rintik Sedu, Rizki Balki (with another Wattpad adaptation, A: Aku, Benci & Cinta, in his repertoire) takes the directorial duty working on the script adapted by Adi Nugroho and Cassandra Massardi along with Muthia Khairunissa, Amit Jethani, and Bonky. Junior Roberts stars as Gazza Cahyadi a.k.a. Geez; meanwhile, Hanggini portrays Keana Amanda a.k.a. Ann. Now, where's its place among other Wattpad adaptations?
Anthony and Joe Russo pick up where they left in the aftermath of blockbuster classic (in the making), Avengers: Endgame with a provoking adaptation of Nico Walker's semi-autobiographical novel, Cherry. Written in a US prison, the 2018 novel follows a 'cherry' (slang for a fresh soldier in the battle) with his frail love story, his visceral tour in Iraq Wars along with the PTSD, his descend into illegal drugs, and his eventual notoriety as a bank robber. The cherry is Tom Holland in another attempt to shed the school-boy style out of his repertoire.
J Blakeson (The 5th Wave, The Disappearance of Alice Creed) must have written the script of his Netflix-bound thriller with Rosamund Pike, specifically her portrayal of Gone Girl's Amy Dunne, in mind. The protagonist (or maybe anti-protagonist) in I Care a Lot is a cunningly cool, manipulative woman whose words can twist the truth —blurring the lines between fact and fiction almost effortlessly. Here are the keywords: she is a human-prison. If anyone should portray such a character, Pike will always be the frontrunner; and she's the one with the role.
Here comes another romantic comedy —fluent enough at incorporating time-loop without getting tangled in the familiarity. It's fluent enough not to beat the dead horse and give away any exposition about the temporal anomaly's nature. It's fluent enough to give the time-loop a purpose in the narrative greater than a mere gimmick. It's fluent enough to make the titular Map of Tiny Perfect Thing a worthwhile journey.
Lara Jean Covey and Peter Kavinsky's high school romance has eventually come into the closing stage with To All the Boys: Always and Forever. Michael Fimognari, helmer of the second installment, returns in the directorial duty with Katie Lovejoy taking over the writing department. The power couple, Lana Condor and Noah Centineo return with the whole ensemble for a final stroke in this saccharine-heavy teen romance that starts exhilaratingly with To All the Boys I've Loved Before (2018) and immediately shows sign of fatigue by the release of To All the Boys: P.S. I Still Love You (2020).
Paul Greengrass's News of the World might observe the director's venturing in an area he barely touched in his repertoire. Coming from the filmmaker whose works are associated with fast cuts, energetic camera movements, and dazzling thrillers (as shown in the Bourne series or United 93), this Western drama starring Tom Hanks (reunited with the director after Captain Phillips) seems a little too patient and placid—but not less Greengrass-y. Narrating the story of Civil War-torn America through a newscaster of yore, this couldn't be less political, journalistic, and timely than his other films.
Christopher Nolan is cinema's own golden son—the prodigy to save the so-called cinematic experience and the giant screens from the impending extinction. His latest spectacle, Tenet, becomes the solid proof of how the cinema's grandiosity must survive amidst atrocities. This is an original action blockbuster at its finest with a clear-cut demand: to be indulged in the best available cinema. From the cutting-edge practical effect showcases; blustering globe-trotting set-pieces; exhaustive narrative that demands re-watches; to Ludwig Göransson's electrifying scoring complemented Jennifer Lame's merciless edit; everything about Tenet is cerebral.
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.