Review: The SpongeBob Movie: Sponge on the Run (2020)
With a safe bet and Keanu Reeves, Sponge on the Run makes a familiar friendship story back in Bikini Bottom.
Review: Color Out of Space (2019)
Blending the director’s B-movie panache with Cage’s brand new charm, it’s a worthy Lovecraftian horror.
Review: Rebecca (2020)
Rebecca, however harrowing, is not the movie for Ben Wheatley. In the end, he only see him struggling to step out of Hitchcock’s shadow.
Review: Evil Eye (2020)
Between generational gap, culture clash, and actual superstition, Evil Eye’s goal is only attainable with enough ambiguity which it fails to fully achieve.
Review: Waiting for the Barbarians (2019)
Waiting for the Barbarians staggers between the ambition and its contemplative nature, even when the A-listers triumph.
Review: Bloodshot (2020)
In Bloodshot (2020), Vin Diesel is Vin Diesel and not the titular character. After all, it’s a cliche-ridden mediocrity.
Review Sonic the Hedgehog (2020)
As the character itself, Sonic the Hedgehog is fast-paced and happy-go-lucky even when it just skips the plot aside from its functionality.
Review: Little Women (2019)
Greta Gerwig’s Little Women is modern and classic; exquisite but modest.
Review: Birds of Prey and the Fantabulous Emancipation of One Harley Quinn (2020)
Margot Robbie’s iconic performance and the relentless yet grounded action bravura are Birds of Prey’s cherry bombs.
Review: Akhir Kisah Cinta Si Doel (2020)
Akhir Kisah Cinta Si Doel a.k.a. Si Doel 3 is an anticlimactic end to the 27-year-old story.
Review: Dolittle (2020)
RDJ’s half-assed performance is actually still captivating. Sadly the simple plot lacks force and tends to literally do little.
Review: Nanti Kita Cerita tentang Hari Ini (2020)
While the third act stumbles, Nanti Kita Cerita tentang Hari Ini ventures more than just a sappy family drama; it’s a close-up look of toxic masculinity at its crudest.
Review: Doctor Sleep (2019)
To call Doctor Sleep a direct sequel for Stanley Kubrick’s The Shining might somehow be unfair. Based on Stephen King’s 2013 novel of the same title—which indeed is a sequel, this silver-screen adaptation takes the visual references from Kubrick’s film. […]
Review: The Addams Family (2019)
Sausage Party directors—Conrad Vernon and Greg Tiernan—attempt to recreate the transcend the utter absurdity of their R-rated cult animation with a more established material. They think that the creepy, kooky, mysterious, spooky, and ooky Addams Family by Charles Addams might […]