Tetsuya Nakashima (Confession, The World of Kanako) has always been known as a visual extravagant with a flair for narrative overdrive. With a portfolio of bleak murder mysteries that always haunt long after the end of the movies, Mr. Nakashima now steps further into horror territory with It Comes (also known as Kuru), an adaptation of Ichi Sawamura novel, Bogiwan ga Kuru. Similar to his most notable works, even in his horror debut, his movie is outright dark, mysterious, visceral and demanding. At one point, this horror reminds me of the cult-making Korean horror, The Wailing; what makes it different is: it's campier and bigger in scale. Putting It Comes into a short, comprehensive synopsis is difficult because this horror is an extensive, long-winded opera comprising of many characte...