Fences (2016) – Review

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Review: Troy Maxson (Denzel Washington) walks home from work with his comrade, Bono (Stephen Henderson), talking about work and life as black men in the 1950s’ Pittsburgh, before reaching Troy’s home, in which Rose (Viola Davis), Troy’s wife, has waited. From the blocking, the set arrangement, and the characters’ gesture, we already know that Fences is adapted from a play; it is staged like a play, but it ventures further into masterclass, cinematic performance.
Troy, a hardened man, was once a talented baseball player, who never made to professional careers due to an issue which he addressed as racial segregation. He’s got into an unfortunate event when he’s young, but he’s overcome it. Since then, Troy becomes bitter and skeptical; he’s been building fences—literally and figuratively.
Fences (2017) – Viola Davis & Denzel Washington | Image via IMDb
The fences, which he builds to keep away something from his past to sneak, has also estranged Troy’s closest person. Not even his pro-football dreamer, Cory (Jovan Adepo), or his illegitimate musician-son, Lyons (Russell Hornsby) can penetrate into Troy’s hardened soul. Only Rose has made peace with Troy’s flaws as she loves him unconditionally despite his flaws that keeps piling and culminating in a life-changing tragedy. It’s his pride, his bitterness and remorse that has built fences—barricading the man from the loves of his life.
With strong topic the film carries—a study to the life of a traumatic black man in America’s blackest era, Fences is admirably well-acted. Both leads, Denzel Washington, who also directs the film, and Viola Davis, are top-notch in manifesting the exasperation and restlessness of the generation. Performances from those senior stage actors emanates emotions beyond cinematic boundary, presenting it raw and less-dramatically as if they really is living in the era, facing the same anxiety.
As an actor, Washington excels at multiple layers his character brings; however, he’s a bit stiff as a director. His direction seems like he is paying homage to play performance; but, at the same time, it looks like a direct transfer from stage to screen, which ends up alienating casual film viewers. Natural approach is his least option but in acting; therefore, Fences always seems as it is a play, rather than a motion picture; however, it can still delivers its most profound message breaking the fourth wall, straight into the audiences; thanks to the brilliant acting of Washington and Davis.
Fences (2017) – Viola Davis & Denzel Washington | Image via IMDb
In the end, Fences might serve as two competences at once: a showcase of natural-born actors whose engaging performances are moving; and a preservation of one of America’s greatest play in form of motion picture. Both way, it’s an excellent film.

Fences (2016)

Drama Directed by: Denzel Washington Written by: August Wilson based on his own play Starred by: Denzel Washington, Viola Davis, Stephen Henderson Runtime: 139 mins Rated PG-13

3 responses

  1. Great review! You’re completely right about Denzel’s directing, I’m not sure how I could sell Fences to a casual movie fan, but for those who can stick it out it’s absolutely worth it for the performances 🙂

    1. Glad you think the same way! The performances are really the key point!

  2. […] The 89th Academy Awards a.k.a. Oscar 2017 was one of the greatest in this decade, with one of the best host, Jimmy Kimmel, until they screwed it up with their own blunder. Despite the bully and backlash, La La Land won big with 6 Oscars out of 14 noms (incl. Best Actress, Best Score, Best OST, Best Production Design, Best Cinematography, and Best Director); and as expected, Barry Jenkins’ Moonlight brought home the Best Picture. Here’s my reviews of the 2017 Best Picture nominations ranked from highest to lowest: La La Land >> Arrival >> Hell or High Water >> Manchester by the Sea >> Moonlight >> Hacksaw Ridge >> Hidden Figures >> Lion >> Fences […]

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