“Every night I cut out my heart. But in the morning it was full again,” said Count Almásy.
In the 69th Academy Awards, Anthony Minghella’s The English Patient garnered 12 nominations and won 9 of them including Best Picture and Best Director, hence this post. Minghella’s tour de force practically owns it all and is praised as the film of the year in the same year as Fargo, Jerry Maguire,Shine et al. Clocking in at 162 minutes (as it was initially reportedly to have a 250-minute cut), this epic story is clearly ambitious and tough to watch for its lengthy duration; but, it really is worth the duration. Continue reading BLINDSPOT: The English Patient (1996)
“C’mon, Babe, why don’t we paint the town… and all that Jazz!” Velma Kelly sings on the stage.
In the 75th Academy Awards, Rob Marshall’s Chicago triumphed over with six winnings, including Best Picture, overpowering strong contenders like The Pianist, Gangs of New York, and Lord of the Rings: The Two Towers. Chicago becomes the second musical to win Best Picture after 1968’s Oliver!; and together with Moulin Rouge, it is responsible for the reemergence of musical film in modern days. Continue reading Blindspot: Chicago (2002)
After failing to complete Blind Spot Series 2015 and missing the whole challenge in 2016, Sinekdoks returns for Blind Spot Series 2017 hosted by Ryan McNeill of The Matinee. The idea is: picking 12 films to watch; one film each month for the course of a year. However, it is not merely a shame-list or to-watch list; there must be a sense of purpose to arrange the list.
As for 2017, I dedicate this year’s series as a homage to several Oscars’ Best Pictures I missed from the beyond the 2010s, which I can get the access to watch. I am gonna watch the films in reverse-chronological order to signify the flashback (except for two titles I cannot watch in backwards). Continue reading Announcing The Blind Spot Series 2017 Participation